Being an architect is hard. At times, you're expected to act as everything from a graphic designer to a handyman (or woman), from a data scientist to a writer, or from a computer programmer to a public speaker. And, you're expected to do all these things on little to no sleep and for a much lower wage than you're probably worth. But don't fear - the internet is here to help (it's not just a place to procrastinate, you know).

We've collected 22 free websites that can help you in the never ending quests for efficiency, knowledge and good taste. Whether you're selecting the perfect color scheme for a presentation or graph, tracking the price of your next big purchase, solving technical problems or simply trying to balance your sleep and caffeine intake, there's something in this list to help everyone. 

Selected by votes from over 31,000 architects and architecture enthusiasts around the world, the winners of the 2015 Building of the Year Awards represent the best architecture of the past year. By using the intelligence of the crowd to judge over 3,000 entrants the awards provide a refreshing antidote to the decisions of expert juries. As a result the winners include Pritzker Prize winners such as Álvaro Siza, Herzog & de Meuron and Shigeru Ban, but also up-and-coming practices such as OTO, sporaarchitects and EFFEKT, and even dynamic collaborations such as the housing complex designed by a team of CEBRA, JDS, SeARCH and Louis Paillard Architects.

With 14 winners, designed by a total of 18 practices and built in 12 countries across 5 continents, the process of recognizing these stunning buildings was truly a global effort. Learn more about the 2015 BOTY Awards and this year’s winners by checking out our AD original infographic, presented by ArchDaily and our partners at HP, after the break.

Developed by Choi+Shine Architects, the BIT Light is a magnetic modular lighting system that offers endless configuration possibilities which can be arranged, deconstructed and rearranged in seconds. The system's main component is the "BIT", a linear lighting element comprised of an LED light source in a translucent polycarbonate tube that provides both protection and structural support. At each end of the BIT are conductor pads which join magnetically to the small nickel connecting elements, offering infinite possibilities for arrangement either as a flat wall-mounted lighting element, a suspended configuration, or even as a self-supporting three-dimensional lighting structure.

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Wood Design and Building Magazine has announced the winners of its 2014 Wood Awards. Run in partnership with the Canadian Wood Council, this year the awards included for the first time an international awards category in addition to the North America awards. With 166 submissions, the 24 awarded projects were selected by a jury consisting of Larry McFarland (Principle, McFarland Marceau Architects), Brigitte Shim (Principle, Shim-Sutcliffe Architects) and Keith Boswell (Technical Partner, SOM).

"The Wood Design Awards showcases exceptional wood buildings that not only display the unique qualities of wood, but also serve to inspire other designers who may not initially think of wood as the material of choice," said Theresa Rogers, Editor of Wood Design & Building magazine. "The calibre of projects submitted displayed a mature sense of design that either paid homage to older building techniques or completely reinvented the conventional way of thinking about building envelope and design," added Etienne Lalonde, the Canadian Wood Council's Vice-President of Market Development.

See the full awards list after the break.

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As one of the most ubiquitous forms of construction, it can sometimes be easy to overlook the humble brick. However, this prosaic building method can also be one of the most versatile materials available to architects, thanks to the experimentation of countless architects who, for centuries, have worked to create new forms of expression with the simple material. In this round up, we celebrate architects who, with their architectural classics, have expanded the possibilities of brick craft: Antoni Gaudí's fantastical vaulting at Colònia Güell and Alvar Aalto's experimental brick patterning at his house in Muuratsalo; the powerful brick piers of Kevin Roche and John Dinkeloo's Knights of Columbus Building and the Catalan vaults of Porro, Garatti and Gattardi's National Arts School of Cuba; and finally, what brick round up would be complete without the brick-whisperer himself - Louis Kahn and his all-brick fortress for the Indian Institute of Management.

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Update: Last week, Hadid and the New York Review of Books agreed to a settlement agreement, with Hadid accepting the apology of the New York Review of Books and, in conjunction with the settlement, donating an undisclosed sum of money to a labor rights charity. You can read the full joint statement at the end of this article.

For those that follow the ins and outs of architectural criticism, it will have been hard to miss the news this week that Zaha Hadid is suing the New York Review of Books, claiming that the critical broadside launched by Martin Fuller against Hadid in his review of Rowan Moore's book Why We Build was not only defamatory but also unrepresentative of the content of the book. Hadid's lawyers demanded a retraction of the review, which they claimed had caused Hadid "severe emotional and physical distress."

Hadid's lawsuit did manage to elicit an apology from Filler, but probably not the one she was hoping for: Filler posted a retraction admitting that his review confused the number of deaths involved in all construction in Qatar in 2012-13 (almost 1,000) with the number of deaths on Hadid's own Al Wakrah stadium (exactly zero). However, much of Filler's comments criticizing Hadid's cold attitude to conditions for immigrant workers in Qatar remain unaddressed.

Throughout the week, a number of other critics took this opportunity to pile more criticism on Hadid, unanimously agreeing that the lawsuit was a bad idea. Read on after the break to see the six reasons they gave explaining why.

Once again, Chinese company WinSun Decoration Design Engineering Co has expanded the capabilities of 3D printing. After constructing ten houses in under twenty-four hours last year, now they are back with both the world's tallest 3D printed building - a five-story apartment block - and a 1,100 square meter mansion with internal and external decoration to boot.

On display in Suzhou Industrial Park in Jiangsu province, the two buildings represent new frontiers for 3D printed construction, finally demonstrating its potential for creating more traditional building typologies and therefore its suitability for use by mainstream developers.

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Videos

Students at the Digital Matter Intelligent Constructions studio at Barcelona's Institute for Advanced Architecture of Catalonia have created a composite facade material of clay and hydrogel, which is capable of cooling building interiors by up to 6 degrees centigrade. Entitled Hydroceramic, the material utilizes the ability of hydrogel to absorb up to 500 times its own weight in water to create a building system that "becomes a living thing as part of nature and not outside of it."

Read on after the break for more on how Hydroceramic works.

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At their Windows 10 Event today in Redmond, Washington, Microsoft unveiled features for its forthcoming operating system that it feels could revolutionize computing, particularly for people who want to design, make or fix something in the real world: holographics. The company revealed both the Windows Holographic features that will be built into Windows 10 and HoloLens, an in-house designed headset that will be capable of placing holographic elements into the world around you - think of it as a combination of the flat augmented reality overlay in Google Glass, and the immersive yet virtual-only presentation of Oculus Rift.

The video trailer above shows the far-reaching implications for a variety of designers, both professional and amateur (including a nod to the architecture profession at the 50-second mark), with TechCrunch explaining how the technology "offers a way for architects to survey and present their designs alongside clients even when separated by great distances."

London practice Avery Associates Architects has unveiled their designs for No.1 Undershaft, a 270-metre tall office tower directly adjacent to Rogers Stirk Harbour + Partners' Cheesegrater in the City of London's central skyscraper cluster. The building is currently planned to be the tallest in this cluster and the second-tallest in London (after the Shard) - notwithstanding an as-yet-unrevealed plan for the site of the scrapped Pinnacle project which could potentially supersede it.

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Update: on February 26th 2015, Architecture for Humanity released a statement officially announcing their bankruptcy proceedings. View the full statement at the end of this article.

As reported by SFGate, on January 1st Architecture for Humanity laid off all staff and closed its Head Office in San Francisco. Although there has been no official statement from the organization, the news has been widely circulated, with Architecture for Humanity founders Cameron Sinclair and Kate Stohr issuing a statement saying that they are "deeply saddened" by the news, and urging the organization's other chapters around the world "to continue their much needed work."

As uncovered by Curbed, construction workers at Rafael Viñoly's 1,396 foot (426 meter) tall 432 Park Avenue were served with a full stop work order last week by the New York City Department of Buildings, after an 8 foot (2.4 meter) long section of steel pipework was dropped from a construction hoist on the building's 81st floor.