Former ArchDaily's Managing Editor. BA in Architecture from Newcastle University, and interested in how overlooked elements of architectural culture —from the media to competitions to procurement processes can alter the designs we end up with.
The Italian city of Bolzano, located in the foothills of the alps, has an intimate connection with the mountains that surround it. However, for almost 40 years, one of the most commanding views of Bolzano has been inaccessible, since the cable car which led up to the Virgolo mountain was closed in 1976. After winning an international design competition hosted by The SIGNA Group, Snøhetta has now been selected to replace that cable car, making the summit of Virgolo accessible once again and returning a valuable tourist asset to the city.
Marking the fourth anniversary of the terror attack in Norway that left 77 dead, today the island of Utøya has opened "The Clearing," a memorial designed by Norwegian firm 3RW to commemorate the 69 victims of the shooting massacre on the island.
Since it was founded in 2008, ArchDaily has gotten pretty big. At over 18,000 projects and over 33,000 total articles (to date), the number of pages, images and words that collectively form the ArchDaily website is mind-boggling. In our newsroom you'll often hear references to "the iceberg" - in other words, what you see on the homepage is just a fraction of ArchDaily, while the rest lurks beneath the surface, waiting to be discovered. As editors, one of our biggest challenges is to help you discover it.
We already have a few methods in place to enable this: on our Facebook page we often post older articles or projects that have proven to be popular in the past, and one of the biggest benefits of our recent platform upgrade has been a new, multifaceted search for projects that allows you, for example, to look for "Brick Houses in the United States by Frank Lloyd Wright" and narrow 18,000 projects down to just three.
This week, we're launching a series of articles that we hope will do something similar for some of our most informative and thought-provoking news and editorial articles: ArchDaily Essentials.
Currently under renovation in order to turn its soaring shell into a hotel, Eero Saarinen's iconic TWA Flight Center has been off limits to the public since 2001. However last week, while a team of digital preservationists were making scans of the swooping curves of the building's interior, photographer Max Touhey was allowed access, camera in hand, to catalog the building's mid-century elegance. The photoset, published in full on Curbed NY, shows the building in a generally good condition considering its decade-long slumber. Read on after the break for a selection of these images.
The 20th century was an era of unbelievable change, with more revolutionary ideas and scientific developments than perhaps any era before it. But among the many developments in the material sciences, one stands as perhaps the most revolutionary: plastics. An experimental group of materials at the turn of the century, artificial plastics are so ubiquitous now that it's almost impossible to imagine life without them.
However, in the 21st century plastics have gained a bad reputation; commonly produced from oil, plastics are a non-renewable resource and, after spending decades or even centuries polluting our environment, most plastics will eventually degrade to release their carbon into the atmosphere. Recycling plastic will go some way to slow this problem, but with so many modern products relying on plastic - and our tendency toward increasing consumption showing no signs of slowing - recycling can only do so much.
But what if there was a way to use plastics to actually reverse the release of greenhouse gases? That's exactly what Newlight Technologies is attempting to do with their carbon-negative plastic, AirCarbon.
We're just three days into the four-month display of SelgasCano's 2015 Serpentine Gallery Pavilion and the comments it has generated from ArchDaily readers have already been as colorful as the pavilion itself - with criticisms ranging from "worst Serpentine Gallery Pavilion ever" to "trash bag monster" and a few other comparisons that I'd rather not even repeat. This may surprise some people, but at ArchDaily we do actually read the comments section, and we get it: unless you're the brave and persistent soul who comments as "notyourproblem," who thinks "it must be exciting getting inside those tunnels," there's a good chance that you hate this pavilion - and I don't use the word "hate" lightly.
But is this violent dismissal warranted? In short, is SelgasCano's pavilion as bad as you probably think it is? Fortunately, we're not the only publication giving the pavilion extensive coverage: as usual the Serpentine Gallery has attracted a number of the UK's most well-known critics. Find out what they thought of the pavilion after the break.
With the demands of sustainability today placing tight restrictions on performance metrics such as how airtight a building is, one of the sacrifices that often has to be made is user control. Windows are often no longer openable; shades and blinds often replaced with non-openable louvers. In recent years new technology such as smart glass (sometimes called "switchable glass) has promised a modicum of compromise, allowing windows to be tinted on demand. But smart glass is limited - it's either on or off, clear or tinted.
Until now, that is. At the AIA convention in May, SageGlass revealed a range of innovations that greatly increase the options available to designers when specifying smart glass.
With the opening ceremony of SelgasCano's Serpentine Gallery pavilion earlier today, the Serpentine Gallery has released a set of images by Iwan Baan, capturing the riotous color explosion delivered by the pavilion's ETFE wrapping. Always one of London's most popular architectural attractions over the summer, this year marks the pavilion's 15th anniversary, and will be on display until October 18th.
Read on after the break for more images - and stay tuned to this posts for updates throughout the day!
The 2015 Serpentine Gallery Pavilion was revealed today in London, showcasing the colorful plastic design by SelgasCano to the public for the first time. Consisting of a minimal steel frame wrapped in multi-colored ETFE sheets and webbing, the design is encompassed by "secret corridors" which provide access to the main internal space, inspired by the multi-layered and sometimes chaotic network of the London underground.
With this year's Serpentine Pavilion in London scheduled to open next week, the Serpentine Gallery has released construction images of SelgasCano's multi-colored plastic shelter. The images by NAARO show the double-skinned ETFE-coated structure taking shape, and give an impression of the spatial experience offered by the "secret corridors" which circumnavigate and provide access to the interior space.
LEGO has long been recognized by architects as a key inspiration in the world of creative building - but the Danish toy company's influence over the construction industry may be about to get a whole lot more direct. Yesterday, LEGO announced the establishment of its own sustainable materials research center, with an investment of 1 billion Danish Krone ($150 million US), which will search to find sustainable alternatives to the plastic used in their products and packaging.
The Basilica of Saint-Donatien in Nantes has been significantly damaged by a huge fire. As reported by the BBC, the fire started at around 10:30 am local time, and is believed to have broken out on the roof of the building in connection with waterproofing work.
Exhibited at the BSA Space as part of the Boston Design Biennial in 2013, Matter Design's Helix is a concrete spiral staircase that is full of surprises. Chief among these is its size - the stair was built at half-size to address the practical issues of weight, liability and access - but more important are the details of its assembly. While the steps of most spiral staircases are supported from either the stair's perimeter or a central column, Helix transfers loads directly through the steps below to its base which, rather than resting on the floor as it appears, is in fact suspended from a beam in the ceiling.
Today, London's Hayward Gallery at the Southbank Centre has opened a major exhibition of the work of Carsten Höller, the artist who is best-known for playfully inserting his slide installations into major galleries worldwide. Titled Carsten Höller Decision, the exhibition features works from throughout Höller's career, as well as a number of new works created especially for the show - not least Isometric Slides, his latest slide installation that gives gallery visitors the option of leaving the exhibition at speed from the Hayward Gallery's pyramidal roof lights.
Maggie's, the UK charity famed for its cancer care centers designed by world-renowned architects, has released a proposal for a new building designed by Heatherwick Studio. The new center is planned to be built on the grounds of the St James' University Hospital in Leeds, and was submitted for planning permission this morning.
The design consists of a series of stepped "planters" which aim to harness the therapeutic effect of plants for the benefit of the center's users. The building's public and private interior spaces are woven both in between these elements, and into the interior space of the planters themselves.
Cornell University Student's inflatable pavilion, the result of Lorena Del Río's "A Journey Into Plastics" seminar. Image Courtesy of Lorena Del Río / Cornell University Department of Architecture
It's graduation time. As universities around the globe - or at least most in the Northern hemisphere, where over 80% of the world's universities are located - come to the end of the academic year, many university architecture studios have recently closed out the construction of pavilions, installations and other small educational projects. At ArchDaily, we've already received a number of submissions from students and professors who would like to see their studio's work reach a larger audience, such as the example above from Cornell University's "A Journey Into Plastics" seminar, and the University of Wisconsin-Milwaukee's studio project completed with the assistance of Marcus Prizewinner Sou Fujimoto (more on that project here). But we're interested in doing something more.
Adding to an already stellar range of apps for architects and designers, today The Morpholio Project has launched Crit, a messaging app for architects which allows users to critique designs, share ideas and send key information such as dimensions and materials. With modern architectural projects relying on increasingly large teams of architects, engineers, project managers and contractors, design decisions have to be shared with a large number of people - leading to slow decisions in an increasingly fast-paced world. According to Morpholio, the idea for the Crit App arose from the question: "What if photos, sketches, images, drawings, and comments could be instantly fused into a single legible “design” discussion?"