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The idea of a total work of art - Gesamtkunstwerk - guided several schools and movements in the 19th century, including the Bauhaus, which brought the term into the modern era. With the school's unstructured architecture and avant-garde furniture design came new ways of designing clothing, graphics and painting, etc. In the Bauhaus different fields influenced each other, diluting the border between art and industry as they evolved together. When the school was closed 1933 many projects were left unfinished.

In order to revive some of the work begun at the Bauhaus, Adobe launched the Hidden Treasures project to revive five fonts inspired by the original designs of five of the school's masters: Joost Schmidt, Xanti Schawinsky, Reinhold Rossig, Carl Marx and Alfred Arndt.

Selected along with nine other architects by the Vatican, Carla Juaçaba has shared images of her proposed chapel design as part of the Venice Architecture Biennial, which marks the city-state's first time participating in the largest architectural event in the world.

The proposed chapel design seeks a harmonious integration between the water and trees that surround Venice, with the nearby vegetation outlining the interior space of the chapel. The space between the treetops - which offers a view of the sky - functions as the ceiling of the chapel.

Not all architects get the opportunity to design a museum. Between budget, scale and factors external to the field of architecture, designing a museum--and actually getting it built-- may mark the pinnacle of one's professional trajectory.

These public buildings provide an invaluable service to the communities in which they are located; from education to commemoration and (occasionally) the provision of public space, museums are "shining lights" in which architecture plays a fundamental role. 

As part of our 2018 Venice Architecture Biennale coverage we present Public Without Rhetoric the proposal for the Portuguese Pavilion. Below, curators Nuno Brandão Costa and Sérgio Mah describe their contribution in their own words.

Public Without Rhetoric is the project selected to represent Portugal at the 16th International Architecture Exhibition of La Biennale di Venezia. The curators Nuno Brandão Costa and Sérgio Mah propose a tour of the “Public Building” of Portuguese origin through 12 works created at a time when Western Europe is confronted with its limits and possibilities and as architecture manifests its nonconformist nature in reinforcing its role in political and social intervention.

The well-known saying “all roads lead to Rome” seems to be true--at least, that’s what Moovel Lab, a team from Stuttgart dedicated to urban mobility research, points out. Titled "Roads to Rome," the project has mapped out over-land routes across Europe that converge to the city.

From a grid of 26,503,452 square kilometers covering all of Europe, the researchers defined 486,713 starting points that were superimposed on the continent's street map. Then an algorithm was developed for the project that calculated the shortest route between each of the points and the Italian capital. 

Modern architecture has had many faces and developments, ranging from post-war reconstruction strategies in Europe to the International Style in the United States. One of these facets - perhaps the least glorious - are the social housing buildings of the eastern part of Europe, the results of initiatives by the Soviet regime to offer low-cost housing to the population. 

Often associated with unsuccessful programs, these buildings were generally very similar to each other, presenting very simple prismatic geometries with little chromatic variation. Blocks, so to speak, that in the hands and imagination of designer Lukas Valiauga take on a ludic aspect that has never been natural to them.

It's not uncommon to happen upon works of architecture that resemble everyday objects. Sou Fujimoto even created an entire exhibition of "architecture" made of ashtrays, potato chips and matchboxes. Cheese graters, beehives and bottle openers appear to have been enlarged and given an architectural program (given the resemblance to their smaller counterparts).

Architect Filipe Vasconcelos goes beyond obvious alikeness and explores, through digital collage, the similarity between architectures and objects. He creates scenes in which the works are reimagined in displaced situations, with nothing to do with original context or use.

It is rare to find artists who can instigate critical reflection on architecture by combining references such as 'The Red Wall' (La Muralla Roja) by Ricardo Boffil, with the complex illustrations of Giovanni Battista Piranesi and pop culture icons. But Tishk Barzanji, a London artist, is one who does.

Through his digital illustrations, he explores elements of modern architecture from a filtered view by using references that create a dreamlike and surreal universe, producing compositions that express an austere and somewhat disturbing atmosphere.

This year, ArchDaily marks our 10th anniversary as a global platform for architecture. In the past 10 years, we have democratized access to architecture and brought a daily dose of information, knowledge and inspiration to students and professionals.

To celebrate this important milestone, we have compiled a series of projects that recall our iconic logo: the blue three-story, prismatic house. We've curated over 33,543 built projects so far, including classics and flashbacks. We went through this enormous archive of projects and made a note of the ones that amused us and delighted us with their rectangular prism shapes and oddly occurring windows. They remind us of the beloved ArchDaily logo, and we're pleased to see that this shape can take on so many forms, all over the world.

Following up on their series of urban block flashcards, Spanish publisher a+t architecture publishers recently launched a new deck of cards featuring architecture that "promote[s] the compact city and the desirable dwelling." Titled 50 Housing Floor Plans, this new version contains examples of recent collective living projects, featuring buildings constructed between 2000 and 20017.

To avoid hyperrealistic renderings we have witnessed the emergence of other options for architectural representation which seduce the viewer, not for their overwhelming resemblance to reality but rather the opposite, its resemblance to everyday life's textures presented through unpretentious drawings inspired by collage, watercolor, and painting. Digital collage and other similar representation tools have gained more popularity when discussing how architecture can be communicated.

Is there an aspect, a recurring mark, that reveals a difference in the way that male and female architecture photographers see the world? This is, perhaps, one of those rhetorical questions often used as an argument to shed light on works produced by women and for which there is no precise answer.

Without claiming to offer an answer to this question—and in order to follow up on our first article that showcased a selection of women in architecture photography—we present here a new compilation of professionals who deserve attention for the quality of their photographic work. See our list below:

Stanford University experts digitally assembled what is considered the largest world map produced in the 16th-century. The representation of the world of 1587 by the Milanese cartographer Urbano Monte was divided into 60 pages and published in atlas form, but with clear instructions on how to reassemble it.

David Rumsey, director of the university's historical map collection, acquired the map from a historian in 2017. The publication has only one other handwritten copy in the world and has never been assembled in map form.

The SDG Academy online education platform recently launched a series of free online courses on topics ranging from sustainable development and urbanization to climate change and the use of natural resources. According to the description on its website, SDG Academy "creates and curates free, top-level courses on sustainable development for students around the world."

This week, the Portuguese center for architecture Casa da Arquitectura (House of Architecture) celebrates the opening of its new premises in Matosinhos, Porto. In order to mark the occasion, the architecture museum has planned three days full of activities from the 17th to the 19th of November, with guided tours, performance, talks, music and films.

Within the new gallery spaces, Casa da Arquitectura will hold two exhibitions open to the public, including their inaugural exhibition Poder Arquitectura. Organised by the architects Jorge Carvalho, Pedro Bandeira and Ricardo Carvalho, the exhibition will be open until March 2018, with several talks and debates by national and international figures that have been involved in the exhibition scheduled to take place during this time.