Tsuyoshi Tane is a Japanese architect born in 1979 in Tokyo and based in Paris, where he founded ATTA – Atelier Tsuyoshi Tane Architects in 2006. Working across cultural, institutional, and landscape-related projects, Tane has developed an architectural approach that positions memory as a fundamental design driver. In his interview with Louisiana Channel, filmed in his Paris studio, Tane reflects on architecture as a discipline of observation and thought, arguing that meaningful design emerges from carefully reading the traces embedded within a site. For him, architecture is not produced on a blank slate but begins with an inquiry into what already exists, physically, culturally, and emotionally, beneath the surface of a place.

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The Rome City Council has approved a Memorandum for the urban regeneration of the Depositi delle Vittorie in Piazza Bainsizza, a former ATAC depot in Rome dating back to the early 1900s. Abandoned for nearly two decades and now privately owned, the site is set to be transformed into a multifunctional complex designed by Stefano Boeri Architetti. The project envisions the adaptive reuse of the former transportation infrastructure through the introduction of cultural, educational, commercial, co-working, and leisure functions, alongside new public spaces and extensive landscaped areas.

Observed annually on May 25, Africa Day commemorates the founding of the Organization of African Unity in 1963, now the African Union. Established during a period marked by independence movements across the continent, the day recognizes not only political solidarity but also the cultural, social, and intellectual histories that continue to shape African societies today. Within architecture and urbanism, these histories are reflected in evolving conversations around nation-building, heritage preservation, climate-responsive design, material innovation, and community-centered practice.

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The thirteenth session of the World Urban Forum (WUF13) concludes today, May 22, in Baku, Azerbaijan, after six days of discussions, exhibitions, and international exchanges centered on the theme "Housing the World: Safe and Resilient Cities and Communities." Co-organized by UN-Habitat and the Government of Azerbaijan, the forum marked the first time the event was held in the Caucasus region, bringing together policymakers, architects, urban planners, academics, and civil society representatives from around the world.

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This week's stories reveal a growing focus on reconnecting design with physical reality, whether through construction, landscape, public space, or collective participation. From the curatorial direction of the upcoming Venice Architecture Biennale 2027 to internationally recognized projects addressing flood resilience, affordable housing, and ecological restoration, many of the week's discussions challenged architecture's increasing detachment from material, environmental, and social conditions. At the same time, major cultural interventions, temporary structures, and public forums explored how institutions and civic spaces can become more accessible, adaptable, and engaged with everyday urban life.

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Global Design Forum Istanbul concluded its inaugural edition between May 13 and 16, 2026, bringing together architects, designers, urbanists, and cultural practitioners through a city-wide programme of installations, talks, screenings, and public events. Presented by London Design Festival in collaboration with People Places Ideas, the forum was developed and curated by Artistic Director Melek Zeynep Bulut and Forum Content Advisor Beatrice Galilee. Organized around the theme "Worlds in Contact," the programme featured contributions from figures including Lina Ghotmeh, Marina Tabassum, Liam Young, Tom Dixon, Lesley Lokko, Ma Yansong, Andrew Waugh, and Olaf Grawer, positioning Istanbul as a platform for interdisciplinary discussions on design and the built environment.

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Wang Shu and Lu Wenyu, curators of the 20th International Architecture Exhibition of La Biennale di Venezia, have unveiled the first details of the highly anticipated 2027 edition. Titled "Do Architecture - For the Possibility of Coexistence Facing a Real Reality," the exhibition will take place from May 8 to November 21, 2027, across the Giardini, the Arsenale, and throughout Venice.

The curatorial direction reflects many of the ideas developed through the work of Amateur Architecture Studio, founded by Wang Shu and Lu Wenyu in 1997. Their projects have consistently explored the reuse of salvaged materials, regional construction techniques, and the continuity between historic and contemporary forms of building. Across both urban and rural contexts, the studio's work often emphasizes craft traditions, collective memory, and the spatial qualities embedded within everyday environments.

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Mexican architecture practice LANZA atelier has unveiled new details for the 2026 Serpentine Pavilion, titled "a serpentine," which will open to the public on 6 June 2026 at Serpentine South. Designed by studio founders Isabel Abascal and Alessandro Arienzo, the project reinterprets the historic serpentine or crinkle-crankle wall through a lightweight brick structure integrated into the landscape of Hyde Park. Marking the 25th edition of the annual commission, the pavilion will remain on view through October 2026 and serve as a venue for Serpentine's public programme of performances, talks, screenings, and community events.

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Hudson Valley Shakespeare has opened the Samuel H. Scripps Theater Center in Garrison, New York, marking the completion of a six-year project that establishes the company's first permanent home. The new campus, designed by Studio Gang in collaboration with Nelson Byrd Woltz Landscape Architects, expands the organization's long-standing open-air performance model into a permanent cultural and educational facility integrated within the Hudson Valley landscape. Construction began in September 2024 following several years of planning and fundraising.

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As global urban challenges intensify alongside growing environmental, social, and cultural pressures, this week's news reflects how institutions, exhibitions, and restoration projects are highlighting the relationship between the built environment and collective experience. From international forums addressing housing insecurity and urban resilience to cultural events examining memory, identity, and spatial perception, positioning architecture as both a framework for policy and a medium for critical reflection. At the same time, major restoration and redevelopment initiatives highlight a renewed focus on preserving historical continuity while adapting heritage sites and cultural institutions to contemporary forms of use, accessibility, and public engagement.

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Casa Batlló in Barcelona has unveiled the restored Third Floor of the building, opening the last original residence preserved from Antoni Gaudí's 1904-1906 transformation of the property to the public for the first time. Led by restoration architect Xavier Villanueva and developed over three years through an archaeological-style conservation process, the intervention recovers a largely intact domestic environment that had remained inhabited by descendants of the Batlló family for more than a century. Adapted into a series of private rooms for gatherings, cultural events, and experiences, the restored apartment combines heritage preservation with a contemporary interior design intervention by Paola Navone – OTTO Studio, establishing a new program for one of Barcelona's most recognized architectural landmarks.

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The 8th edition of the Tallinn Architecture Biennale 2026 (TAB 2026) has announced the winners of its Installation Programme Competition and Vision Competition, both developed within the curatorial framework titled "How Much?". Organized by the Estonian Centre for Architecture, the biennale will take place from September 9 to November 30, 2026, with its Opening Week scheduled from September 9 to 13. Curated by Stuudio TÄNA, Mark Aleksander Fischer, and Mira Samonig, TAB 2026 explores the role of money, affordability, and resource allocation in shaping architecture and the built environment, while examining how contemporary practice negotiates economic constraints and cultural value.

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Co-organized by UN-Habitat and the Government of Azerbaijan, the thirteenth session of the World Urban Forum 13 will take place in Baku from May 17 to 22, 2026, under the theme "Housing the World: Safe and Resilient Cities and Communities." Convened every two years by UN-Habitat, the World Urban Forum is considered one of the leading international conferences dedicated to urbanization and the future of cities. Bringing together architects, planners, policymakers, researchers, local governments, and civil society organizations, the forum serves as a platform for discussing the challenges shaping contemporary urban environments and the strategies needed to address them.

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The Barbican Centre has announced In Other Worlds, a major immersive exhibition by speculative architect, filmmaker, and artist Liam Young, opening from May 21 through September 6, 2026. Occupying three distinct locations within the Barbican complex, the Silk Street Entrance, The Curve gallery, and Car Park 5, the exhibition will transform the Brutalist cultural landmark into a sequence of cinematic environments examining architecture, infrastructure, climate futures, and planetary urbanism. Developed in collaboration with writers, scientists, filmmakers, musicians, and performers, the project brings together large-scale projections, LED installations, sound environments, graphic narratives, costumes, and speculative artifacts to explore how fiction and spatial storytelling can shape conversations around environmental and technological change.

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The Edo-Tokyo Museum has reopened to the public following a multi-year renovation, unveiling a series of scenographic interventions and installations designed by OMA under the direction of Shohei Shigematsu. Marking the firm's first public project in Japan, the commission forms part of the broader renewal of the museum's iconic building by Metabolist architect Kiyonori Kikutake. Originally opened in 1993 as the first museum dedicated to the history of Tokyo, the institution traces the city's evolution from the Edo period to the present day, and the new interventions aim to strengthen its relationship with contemporary audiences while preserving the identity of Kikutake's architecture.

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Located approximately 300 kilometers north of the Arctic Circle, on the island of Andøya in northern Norway, The Whale by Dorte Mandrup is currently under construction along the coastline of Andenes. The small settlement is situated near Bleiksdjupa, a deep-sea canyon that brings marine life close to shore and has contributed to the region's role as a whale-watching destination. Recent construction images show the building emerging from the rocky shoreline, maintaining a low profile that follows the contours of the site. The surrounding context, including the existing lighthouse and residential structures, situates the project within an active coastal environment.

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At Salone del Mobile 2026, the 64th edition of the fair unfolded at a moment of transition for the global design industry, where questions of production, collaboration, and long-term performance are reshaping established formats. Held at Rho Fiera Milano and extending across the city during Milan Design Week, this year's edition brought together over 1,900 exhibitors while introducing new curatorial and strategic layers. Among the most significant developments was the first public iteration of "Salone Contract," a long-term initiative developed through a master plan by Rem Koolhaas and David Gianotten of OMA. During the event, ArchDaily's Managing Editor Romullo Baratto and Editor-in-Chief Christele Harrouk met with David Gianotten. In the conversation, Gianotten reflected on how the project responds to broader shifts in design practice, moving from object-based production toward integrated systems and collaborative frameworks.

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Each spring, Milan Design Week 2026 transforms the city into a distributed platform for design culture, where prototypes, product launches, and research-driven explorations coexist across multiple scales, including a growing presence of architect-designed objects. Held from April 20 to 26, the 2026 edition once again centered around the 64th Salone del Mobile.Milano at Fiera Milano, complemented by a network of independent venues and exhibitions throughout the city, an expanded landscape that is further reflected in ArchDaily's accompanying selection of installations and exhibitions from this year's program.

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