Usually, architecture photographers are architects themselves, but today we want to show the work of Israeli photographer Erieta Attali, an actual photographer who started working related to archeology and science, and then got involved with architecture after working throughout Japan covering this country's Contemporary Glass Architecture.
After his architecture studies at London’s Architectural Association School of Architecture (AA), Cristobal Palma worked as an assistant in London for a couple years, a time where he honed his photography skills. After this experience he took a more independent route working for some of the best architects in Chile and most renowned publications in the world.
As you may have noticed, since last year we’ve featured a series of Architecture Videos by Palma, the latest of his artistic endeavours that enable us to experience the projects in a different way. Considering this type of media offers a completely new range of opportunities for both architects and publications, we think it’s worth getting to know Palma and his professional journey incorporating audio-visual elements to the representation of architectural projects. The video above, Cristobal’s first completed video and now published online for the first time, presents the España Library in Medellin-Colombia, one of the most iconic buildings of this city’s renovation.
You can read an interview with Palma after the break.
Last week we presented one of Adamo-Faiden‘s latest housing projects and yesterday we featured Cristobal Palma‘s video for Cien House, home and workshop designed by and for Pezo von Ellrichshausen Architects. Cristobal has just now shared with us another collaboration with Sebastián Adamo and Marcelo Faiden, giving us a tour through Casa Martos in Buenos Aires.
You can check some more videos by Cristobal Palma at ArchDaily:
Have you ever dreamed of customizing you own house and transforming it into… maybe an indoor skatepark? In collaboration with Redbull, that’s exactly what Philipp Schuster did in an old house in Slazburg, Austria. It’s an inspiring DIY project with a good deal of concrete bags and a few hard working friends. You can watch the construction process video after the break.
Cristobal Palma brings to life Pezo von Ellrichshausen Architects‘ Cien House. Nestled on top of a grassy hill in Concepcion, Chile, this beautiful home and large workshop were designed with the concept of “decisive coincidences”, for the architects themselves. This video allows us to experience a day in Cien House, taking note of each nook and detail. Enjoy!
Last week we presented the first images of the recently open Serpentine Gallery Pavilion designed by Ai Weiwei & Herzog & de Meuron in London, showing the half sunk and water-covered structure and its beautiful blending into the landscape. Today, Julien Lanoo shared with us these great images giving a better understanding of the spaces and its surroundings.
Stefan Tuchila, an architecture photographer based in Bucarest/Paris shared with us a set of images of the latest Monumenta exhibition in Paris. After the amazing installation by Anish Kapoor last year, it was Daniel Buren‘s time to take this challenge and create a concept for the 2012 edition.
Today, over 17,000 architects and designers, contractors and project managers, magazines and bloggers (including us) will converge on the Capital for the American Institute of Architects’ (AIA) 144th National Convention, Design Connects. So let’s take a moment to reflect on this Association’s long history, intertwined with our nation’s history, and look at how it’s evolved to become both a vital resource for working/emerging architects and the voice of the architecture profession today.
Born in Munster – Germany and now based in Berlin, Christian Richters‘ working area is currently all over Europe, the USA and Asia, shooting projects for some renown architects like Bernard Tschumi, Toyo Ito, Zaha Hadid, UN Studio and David Chipperfield among others. He studied design and photography at the Folkwang Art School in Essen, but it was architecture that finally drove his career to the next level… And we are very lucky for that. He now works with VIEW Pictures, where you can check out his extensive portfolio of amazing architecture.
1. When and how did you start photographing architecture?
I have always been photographing – it started as a hobby when I was a young boy, and already then it was buildings, streets, industrial sites, ships which fascinated me.
After finishing my studies at Folkwang Art School in Essen, Germany, I initially mainly photographed historic architecture for books and magazines. In the early 1990s there was a shift towards contemporary architecture, and more and more architects were becoming my clients. This is what I am focussed on today, but I still maintain working on long-term historic projects for book publishers or NGOs.
Architecture can be experienced in several ways, from writings to a travel, but so far it has been photography the main medium to transmit this experience. At ArchDaily we’ve had the chance to work with some of the world’s best photographers (amateur and pros), and in this section we present you more about their work and thoughts.
This time we present you Cristobal Palma (@CPalmaPhoto on Twitter, and Facebook), who has been featured several times at ArchDaily with his work that not includes architecture but also urban and documentary photography, which appears in media such as The New York Times, Monocle, Wallpaper, among others.
Back to the “experience”, Cristobal has been experimenting with video, exploring an enhanced experience that allows us to see architecture in a different, dynamic way. Take for example our recent feature about the Clifftop House in Maui by Dekleva Gregoric Arhitekti, in which the combination of video + text + drawings offers us another experience.
1. When and how did you start photographing architecture?
I started shooting architecture as a student at the Architectural Association and then I learned a bit more about the profession working as an assistant to Sue Barr. After working for Sue I slowly started to work independently for small practices in London and Santiago and for magazines.
Architects: Ensamble Studio Location: Mexico D.F, Mexico Architect in Charge: Antón García- Abril Associate Architect: Elena Pérez Construction manager architect: Alba Cortés Project Team: Débora Mesa, Joaquín Gallegos, Alba Beroiz, Jaime Alcayde, Cristina Moya, Juan Ruiz Antón, Tomaso Boano, Federico Letizia Developer: SGAE – GRUPO CARSO Project Management: INPROS Construction Company: GRUPO PC Structural Engineering: COLINAS DE BUEN Project Area: 11,500 sqm Photographs: Roland Halbe, Ensamble Studio
Architect: Kengo Kuma & Associates Location: Besancon, France Associated Architect: Archidev Client: City of Besançon, Region Franche-Comté Engineer: EGIS Est Landscape engineer: L’agence L’Anton et associé Acoustic engineer: Cabinet Lamoureux Scenographic engineer: Changement à vu Quantity survivor: Cabinet Guy Cholley Environment engineer: Alto Façade Detail Manufacturers: LAUBEUF Site area: 23,000 sqm Total floor area: 11,925 sqm Project Year: 2007-2012 Photographs: Nicolas Waltefaugle & Stephan Girard
This time we are presenting you Thomas Mayer, Swiss architectural photographer who works for some of the worldʻs finest architects such as Frank Gehry. He learned photography in Zurich and came to Germany in 1968 where he worked until 1974 as a specialised photographer for car advertising in studio and on location. In 1974 he started to do editorial photography for Germanyʻs finest magazines such as GEO, Stern, Merian, ZEIT-Magazin, Der Spiegel and more. In cooperation with famous designer Otl Aicher he worked for companies like BMW, Lufthansa, West-LB and started to do architecture features for ERCO Lighting from 1977 until today. A long term documentation about Frank Gehryʻs Neuer Zollhof Dusseldorf 1989 – 1999. A documentation on the development of the world heritage site Zeche Zollverein 2002 – 2007 includes the development of the Zollverein School from competition til finalisation of the building.
Thomas Mayerʻs work has taken him to many places in the world and has been published in magazines, books, exhibitions and Calenders. Besides his craftmanship and strong sense of composition, his work can broadcast a visual sense of humor. He is a storyteller who does not need to resort to pathos or trickery but finds beauty in man and structures and in light and shadow instead.
It’s been a while since the last Architecture photographer we featured here in ArchDaily, but we are back presenting one of the most experienced photographers in North America: Brad Feinknof.
As he states, his passion for photographing architecture stems directly from the influence of his grandfather and father, both successful architects practicing in Columbus, Ohio. He has personally been shooting photography for over 20 years, since graduating from Cornell University with his undergraduate degree in Design. Brad went on to spend his post-collegiate years in New York City assisting prominent photographers Richard Avedon, Robert Mapplethorpe, Arnold Newman and Joyce Tenneson. Today, many of the ideals Brad obtained from his New York experience carry over to his clients; — the consistent pursuit of perfection, extreme attention to detail, uncompromised professionalism and the utmost quality in service.
Following his return to Columbus, Brad established feinknopf photography, rapidly growing an established clientele among architectural, engineering and construction firms. In serving these clients, Brad has traveled throughout the United States shooting projects, many of which have been published in major publications. From the multitude of projects I have shot of the years over 100 have gone on to be AIA award winners.
Continuing with our Architectural Photographers series, we now present Fran Parente: Brazilian architect working as an Architectural and Interior Design Photographer, based in Sao Paulo but with works from all over the world and several already published in ArchDaily.
1. When and how did you start photographing architecture?
I was working as an intern at Triptyque Architecture and at the end of my architecture course. I always photographed buildings and places during my trips with family and friends but never thought this could end up being my work. During my internship I had the chance to photograph the Colombia building that had just been completed. I say that this was the happening that opened my eyes to architectural photography. In a few months I finished my internship and could dedicate my free time to architectural photography.