Architect, researcher, assistant lecturer at the Faculty of Architecture and Urban Planning UTCN, Master’s Degree in Architecture and Urban Planning from the Technical University of Cluj-Napoca and KU Leuven. Based in Cluj-Napoca, Romania.
In 2020, the French Minister of Culture approved an extensive renovation program for the Centre Pompidou with the purpose of resolving the building's technical issues and ensuring the long-term viability of the iconic structure. Designed by Renzo Piano and Richard Rogers in 1971, the museum was conceived as a "living cultural machine," sparking controversy due to its unusual architecture. To ensure an efficient renovation process, the building will be fully closed for a period of 5 years, from September 2025 until 2030. French architecture studio Moreau Kusunoki has been commissioned to lead the renovation project, collaborating with Frida Escobedo Studio and AIA Life Designers, who are entrusted with the technical component of the project. The architects have been selected following an international competition, with Renzo Piano as one of the jury members.
The Spanish city of Barcelona, one of Europe's top tourist destinations, has announced a plan to ban apartment rentals to tourists by November 2028. The move, announced by Mayor Jaume Collboni, aims to alleviate the long-standing housing crisis, lower prices for residents, improve livability, and increase the city’s affordable housing stock. Over the past 10 years, the rise in short-term rentals has driven rents up by 68%, and the cost of buying a house by 38%, contributing significantly to a cost-of-living crisis.
This June, the Roppongi Museum in Tokyo is hosting an exhibition titled "Miss Dior: Stories of a Miss." Designed by OMA/Shohei Shigematsu, the display presents the 78-year legacy of the renowned Miss Dior perfume, which was launched alongside Dior's revolutionary "The New Look" in 1946. Organized as a journey through seven rooms, the exhibition design features not only the perfume and related memorabilia but also explores the various inspirations and collaborations that have shaped its cultural significance.
In the mountain valleys of China’s Fujian Province, thousands of large, rammed earth fortresses lay abandoned. Once used for both defense and collective housing, the tulou typology is an integral part of the region’s cultural heritage, with 46 of them being recognized by UNESCO as World Heritage Sites. Despite this, the rural communities surrounding them have struggled to find new roles and purposes for these buildings. Going beyond the need for conservation, architect Xu Tiantian of DnA_Design and Architecture set out to develop and adapt this heritage to reintroduce it into community life. The Fujian Tulou | Adaptive Reuse project recently won the Gold Prize of Holcim Awards 2023 for Asia-Pacific, recognized for creating “an exemplary model for building conservation initiatives.”In a video interview for ArchDaily, Xu Tiantian discusses the principles that underpin this initiative and the potential outcomes of adaptive reuse in rural communities.
For cities, hosting an Olympic event represents both an honor, an important opportunity for growth, and a significant challenge. With over 200 nations taking part in the Games, the Olympics are the largest sporting competition in the world. Adapting the public and sporting infrastructure to accommodate this sudden influx of people and the scale of these events runs the risk of misunderstanding the cities’ needs after the closing ceremony, often producing “white elephants” that struggle to adapt to the rhythm and necessities of everyday urban life. Urban transformations are often cited as an advantage of hosting the Olympic Games, as cities are incentivized to invest in their traffic infrastructure, housing, and public spaces. One such example is the city of Paris, which introduced its first metro line on the occasion of hosting the second edition of the Olympic Games in 1900.
When it comes to the venues, however, the issue of adaptive reuse becomes a pressing one, as the architecture is challenged to find solutions to transform, accommodating thousands of people during the Olympics, then scaling down to become a financially sustainable part of a city’s sporting offering. Across the world, several Olympic venues have managed to extend their usability after the closing of the games, opening themselves to the local communities and welcoming a more diverse programming of sports and leisure events. While the high construction costs are often difficult to justify, these venues have become markers of local identity and attractive tourist attractions, extending their use decades after welcoming the Olympic crowds.
3XN GXN and landscape architect DETBLÅ have won the commissions for the design of a new Centre for Coastal Nature and Sport Fishing in Assens, Denmark. The proposal features a subtle oval structure to showcase local stories of the natural environment. The building aims to enhance public awareness and appreciation of the marine environment, reflecting a growing understanding of the need for better marine stewardship. It will also act as a hub for knowledge exchange about the impact of humans and climate change on the sea.
Leah Wulfman Poster Image. Image Courtesy of Architectural League Prize for Young Architects + Designers
The Architectural League Prize for Young Architects + Designers is an annual portfolio competition for early-career practitioners in North America. Established in 1981, the competition is entered around a yearly theme. This year, the 2024 Young Architects + Designers Committee proposed the theme “Dirty,” prompting designers to “look beyond their presentations of professionalism, respectability, and expertise” and reject the sanitized ways of working.
The original work of the six winners of the 2024 League Prize for Young Architects + Designers is now on view in an online exhibition. The installations created for this occasion showcase the wide variety of responses and interpretations of the overarching theme. The projects presented online and in some instances also locally on-site, challenge traditional architectural practices and offer an immersive introduction to the works of the winners. In addition to the installations, a diverse program of lectures has been scheduled to develop the theme further.
Squama Museum building from the Aura river. Image Courtesy of Sigge Architects
Finnish office Sigge Architects has been announced as the winner of the international competition for the design of the Museum of History and the Future in Finland's oldest city, Turku. The proposal, selected out of over 400 entries, creates a permeable structure along the waterfront, acting as a catalyst for the regeneration of the area. The museum aims to showcase the most innovative scientific research through a wide variety of exhibitions, audio-visual installations, and educational spaces. Construction is expected to start in 2027 and be completed by 2029, with a public opening scheduled for 2030.
Courtesy of SITELAB urban studio and Field Operations
SITELAB urban studio and Field Operations have revealed a design proposal to reimagine San Francisco’s iconic Powell Street. The street used to be one of the busiest pedestrian corridors in its district and a popular tourist attraction, with cable cars running up and down the street and connecting Union Square and Hallidie Plaza. Across the most popular three-block stretch, the storefronts have become mostly vacant. According to the San Francisco Chronicle, one of the reasons was the Covid pandemic, which led to a further decrease in tourism and in commercial activities. Now a new project led by designers SITELAB urban studio and Field Operations aims to revive the now underutilized transit corridor and to catalyze a renewed interest in the area.
3XN GXN has revealed its design for Mahler 1, a 15-storey mixed-use office building. The structure, developed in collaboration with Victory Group, Icon Real Estate, and Erik Dhont Landscape Architects, features a hybrid-timber construction system that creates a stepped volume, breaking down the building’s mass. At the street level, the development offers a wide variety of public amenities, striving to become an active hub for both residents and office workers. The project is expected to begin construction in the first half of 2025 and conclude in late 2027.
Heatherwick Studio has unveiled the design of a new large-scale glass canopy to become one of the main attractions of Olympia, an ambitious regeneration project aimed at transforming the 138-year-old exhibition halls in London into a global culture and entertainment destination. Originally designed by Sir Henry Edward Coe, Olympia is set to offer visitors a wide range of venues and activities, including two hotels, over 30 restaurants, bars and eateries, a 4,400-capacity live music hall, a theater, and spaces for the Wetherby Performing Arts School, in addition to over 2.5 acres of accessible public spaces. The revival project is co-designed by Heatherwick Studio and SPPARC.
Beyond serving as mere backdrops for fashion shows, architecture often influences fashion collections, contributing spatially to their storytelling, offering material inspiration, and showcasing the connection between structure and shape. As both disciplines revolve around form, structure, and the human experience, architecture, and fashion share a strong connection, one often explored by creators in both fields. From meticulous tailoring and structural designs that mimic architectural lines, contours, and volumes, to architecture taking cues from how fashion works with the human shape, this interplay can create multidimensional experiences for the enthusiasts of both high fashion and architecture.
Stefano Boeri Architetti has been declared the winner of the international competition for the redevelopment of a former industrial site in downtown Bratislava. The project includes the transformation of one of the largest abandoned areas in the Slovak capital, with the aim of creating an active new central hub for the city, complete with parks and public spaces, residential units, and a variety of amenities. Stefano Boeri Architetti’s master plan proposal, titled “Urban Oasis,” has been appreciated by the jury for integrating familiar typologies, creating a “European matrix” of medium-density developments organized around accessible public spaces.
Since its launch in 2000, the Serpentine Pavilion has been providing renowned and emerging architects with a platform for design experimentation, becoming an important display of contemporary architecture. Each year, the commissioned architects and designers envision a temporary structure that speaks not only to their roots as creators, but also brings into focus what they consider to be important themes in the architectural world, from the need to redefine spaces for contemplation or conviviality, to explorations into the potential of natural materials or vernacular building techniques. On the day of the public opening of the 2024 Serpentine Pavilion, the "Archipelagic Void" designed by Korean architect Minsuk Cho and his firm Mass Studies, we look back at the last eight editions of the famous annual structure.
QS, Quacquarelli Symonds World University Rankings, has announced the annual list of the top universities to study Architecture and the Built Environment in the year 2024. The ranking evaluates over 1,500 institutions from over 100 locations. The evaluation system has been updated this year to include new metrics such as sustainability, employment outcomes, and international research networks.
The top three contenders, the Bartlett School of Architecture, MIT, and Delft UT, have maintained their ranking from 2023, with ETH Zurich showing a slight decrease from an equal third position to the fourth. In the sixth position, Harvard University stands out as the top university for employer reputation in this subject. Among the top 10 universities, Politecnico di Milano had the greatest advancement in rankings, moving from the 10th position last year to the 7th.
The official opening date for the 23rdSerpentine Pavilion has been announced for June 7th, 2024. The structure designed by Seoul-based Korean architect Minsuk Cho and his firm Mass Studies, will welcome visitors until October 27, 2024, in London’s Kensington Gardens. Titled “Archipelagic Void,” the pavilion is composed of five islands displayed around a central void in reference to the mandang, a type of open courtyard found in traditional Korean houses. The intervention will be activated throughout the summer with a diverse program of events, starting with a conversation between Minsuk Cho and Serpentine Artistic Director Hans Ulrich Obrist on June 7, 2024.
Lebanese French architect Lina Ghotmeh, leading the Paris-based studio Lina Ghotmeh – Architecture, has revealed the first photographs of the National Pavilion of the Kingdom of Bahrain for the Expo Osaka 2025. The design draws inspiration from the traditional Bahraini dhow boats, employing the country's historical boat-building technologies to showcase Bahrain's craftsmanship and manufacturing heritage. The pavilion is also a nod to the hosts of the World Expo, drawing parallels with Japanese wood artistry. Commissioned and organized by the Bahrain Authority for Culture and Antiquities, this marks the country's fourth contribution to the World Expo. The pavilion is located in the "Empowering Lives" zone, spanning 995 square meters and inviting visitors to engage through a sensory exhibition experience.
