The Royal Institute of British Architects has announced the foundation of a new award focused on recognizing work in housing in the UK. The award is named in memory of Neave Brown, the British architect, and designer famed for his many housing estates in London.

Architect Liz Diller and architectural photographer Hélène Binet have been awarded the 2019 Jane Drew and Ada Louise Huxtable Prizes, respectively, for their exceptional contributions to the field of architecture. The prizes are part of the eighth edition of the Women in Architecture Awards founded jointly by The Architect's Journal and The Architectural Review.

For those in the northern hemisphere, the last full week in January last week kicks off with Blue Monday - the day claimed to be the most depressing of the year. Weather is bleak, sunsets are early, resolutions are broken, and there’s only the vaguest glimpse of a holiday on the horizon. It’s perhaps this miserable context that is making the field seem extra productive, with a spate of new projects, toppings out and, completions announced this week.

The week of 21 January 2019 in review, after the break: 

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Virtual reality offers benefits that, just years ago, were hardly even imaginable. Projects can be walked through before being built; the interiors fully visualized before all the details are decided. It allows architects and clients the ability to work as true collaborators in the design of a project.

The American Institute of Architects (AIA) has selected Venturi Scott Brown's Sainsbury Wing at the National Gallery of London as the recipient of the 2019 AIA Twenty-five Year Award. Designed by Robert Venturi and Denise Scott Brown in an international competition, AIA commended the project for its ability to “...make its context better than it found it” - a citation borrowed from Venturi himself.

The award is presented annually to a project that has "stood the test of time by embodying architectural excellence for 25 to 35 years."

Religious architecture has long been one of the most exciting typologies, one has long paved the way for various design and structural innovations. Faith & Form magazine and Interfaith Forum on Religion, Art and Architecture (IFRAA) annually recognize the continued creativity defining the field.

This year's winners include 35 projects that span a variety of religious denominations, sizes, and location. Additionally, the award has recognized two trends defining contemporary religious architecture: "the preference for natural materials in worship environments, and inventive design solutions to address tight budgets."

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This article was originally published by Autodesk's Redshift publication as "Design and History Join Forces at the National Veterans Memorial and Museum."

In the years before his death, the late Marine, astronaut, and US Senator John Glenn had a vision to create a place of gathering and remembrance for veterans of all conflicts. It would not be a traditional war memorial or military museum, but a place that would honor veterans and promote civic discourse, sharing stories of service through interactive exhibits, oral histories, images, and personal artifacts.

British architect John Pawson is to be recognized for his services to design and architecture by the Queen, receiving a CBE (Commander of the Order of the British Empire) in the 2019 New Years Honours.

Zooraji, Olson Kundig's latest, takes its inspiration not from its site (the roof of a department store) or context (the futuristic city of Busan), but from a story. Aesop's The Town Mouse and the Country Mouse, to be precise. 

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Jorn Utzon’s name is, for most people, tied inextricably to his most famous work: the Sydney Opera House. Completed in 1973, the project was named a World Heritage Site in 2007, making Utzon only the second architect (after Oscar Niemeyer) to receive such an honor in his lifetime. The project is arguably the most recognizable and significant works of architecture of the 20th century and remains a work ahead of its time. But the uncompromising detail and futuristic design of Utzon’s work left many of his projects unrealized or unknown by the time of his death in 2008.

On the surface, designing a new art museum for Harvard University is a brief so straightforward that it sounds like part of university curriculum itself. The program lends itself to the type of light and airy spaces architects dream of creating; the campus site promises both steady and engaged traffic. But, for all the apparent advantages, the road to realizing Harvard’s Art Museums was a deceptively complex one - one that ultimately took six years to see realized.

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Zaha Hadid Architects have received the go-ahead for their Vauxhall Cross Island towers, a duo of skyscrapers sited adjacent to Vauxhall Station. The scheme, which was publicly announced nearly a year ago (19 January 2018), would be the first project undertaken by the office in the UK for a private client.

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