Jan Doroteo

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Quadratura Circuli Aim to Revive Russian Religious Architecture with Cultural Center in Reykjavik

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Religious architecture in Russia, arguably, remains backward-looking. With the Soviet Union’s anti-religious stance in the 20th century, religious architecture found little opportunity to grow. Russian architect, Philip Yakubchuk argues that only recently has religious Russian architecture begun “learning to walk again” as it discovers its once-rich history. Quadratura Circuli, a trio of young Russian designers Daniil Makarov, Ivan Zemlyakov, and Yakubchuk, are eager to move beyond the image of St Basil’s Cathedral—seeking to revitalize and create a new image of Russian religious architecture for the 21st century.

The group’s Latin name translates to “Squaring the Circle” which is a metaphor used to describe a task that is believed to be impossible—a striking name for a group dedicated entirely to “designing temples for the people of today.” However, with their proposal for a Russian Orthodox Cultural Center in Reykjavik, Iceland, Cuadratura Circuli demonstrates that it is not impossible to link the art of the past and the culture of the present.

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A Floating Timber Pavilion Takes Center Stage at Manifesta 11 in Zurich

On June 11th, the European Biennial of Contemporary Art, also known as Manifesta, began its 100-day stint in this edition's host city, Zurich, Switzerland. The festival's center-piece is a timber raft floating on Lake Zurich, known as the Pavilion of Reflections. The temporary structure was designed and realized by Studio Tom Emerson and a team of thirty students from ETH Zurich. Constructed primarily of timber, Christian Jankowski, curator of Manifesta 11, describes the exhibit “as a floating multi-functional platform with a giant LED screen, a stand for spectators, a swimming pool and a bar.”

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Let Your Building "Breathe" With This Pneumatic Façade Technology

Have you ever seen a building that breathes through thousands of pores? That may now be a possibility thanks to Tobias Becker’s Breathing Skins Project. Based on the concept of biomimicry, the technology is inspired by organic skins that adjust their permeability to control the necessary flow of light, matter and temperature between the inside and the outside. In addition to these performative benefits, the constantly changing appearance of these façades provides a rich interplay between the exterior natural environment and interior living spaces.

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Yale Students Propose a Series of Pop-Up Religious Buildings to Sustain Culture in Refugee Camps

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The theme for this year’s Venice Biennale is largely an invitation for architects and designers to expand and think beyond architecture’s traditional frontiers and to respond to a wider range of challenges relating to human settlement. With news of political crises continuing to fill the headlines of late, Aravena’s theme challenges architects to respond. One such response comes from Lucas Boyd and Chad Greenlee from the Yale School of Architecture. They believe that:

While [places of worship] do not provide a basic need for an individual’s biological survival, they do represent a fundamental aspect of not only an individual’s life beyond utility, but an identity within the collective, a familiar place of being—and this is something that we consider synonymous with being human—a requirement for the persistence of culture.

The two students came up with proposal designs on churches, synagogues and mosques that can be quickly built as “Pop-Up Places of Worship” in refugee camps. By presenting immediately-recognizable sacred spaces that are transportable and affordable, Boyd and Greenlee highlight spaces for worship as an absolute necessity in any type of human settlement. Through this process, the students also determine what, for them, is “necessary” in a religious structure.

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Norman Foster Explains How Drones in Rwanda Could Lead the Way for New Cities

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Back in September, Foster + Partners released details of their designs for a droneport in Rwanda, a humanitarian initiative that seeks to jumpstart and navigate the infrastructural challenges of emerging economies. In this video, Foster and others involved in the project explain the process of realizing the droneports, giving further details on its inclusion in this year’s Venice Biennale—with engaging new architectural visualizations to boot.

A Conversation With Koolhaas, Foster and More at the Biennale's First "Meeting on Architecture"

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On May 28th, a selection of participants of the 2016 Venice Architecture Biennale, including Rem Koolhaas and Norman Foster convened for the first of Alejandro Aravena's "Meetings on Architecture," a series of talks that will take place throughout the Biennale. Under the theme of INFRASTRUCTURE, each invited speaker was given the chance to explain stories behind their participating projects in the Biennale, and the floor was also opened up for questions from the audience.

However, as Aravena explains about the talks, “we have organized them around themes, but architecture by nature always integrates more than one dimension. These Meetings will thus be a way to get from the authors themselves the richness and complexity of the built environment, and what it takes to get things done.” While highlighting unique projects, topics at the first Meeting converged around the focus on shaping the urbanization of emerging economies and the socio-political process and effect of realizing each project. The rest of the speaking panel was comprised by Joan Clos, Andrew Makin and Grupo EPM.