James Corner Field Operations (JCFO) is one of five shortlisted teams invited to participate in an international design competition to renovate and reactivate Chicago’s landmark Navy Pier. Unveiled to the public last month, the goal of the intervention is to refocus the experience of the pier to the lakeside. This is an opportunity for the city to reassess what the waterfront means to an urban center and the character of its identity.
The Van Alen Institute, a non-profit architectural organization in New York City, is hosting a Q&A between Aaron Levy of Slought Foundation and William Menking of the The Architects’ Newspaper, with editor Thomas Weaver on February 3rd at 7:oo pm. Located at Van Alen Books, 30 W. 22nd Street, on the ground floor between 5th and 6th Avenues in Manhattan, you can “grab a seat on their yellow steps and join the conversation”.
Read on for more information on this event!
Plywood: Material, Process, Form is an ongoing exhibit at The Museum of Modern Art (MoMA) in New York City that will be open to the public starting tomorrow, February 2, 2012. We have seen many architectural projects that take advantage of the flexibility this “layer cake of lumber and glue”, as described by Popular Science in 1948, has to offer. Plywood has given 20th-century designers a material embodying “formal and aesthetic” qualities on an industrial scale.
More on the exhibit after the break.
Tomorrow, the New York Public Library will be hosting a talk between architect Tom Kundig of Olson Kundig Architects and Town & Country Executive Editor Mark Rozzo that will discuss “the role of place, nature, materials and craft in creating Kundig’s bold and sensitive designs”. The talk is free for the public to attend and will feature Kundig’s most recent collection of houses: Tom Kundig: Houses 2. Continue reading for more details.
We have all heard of patenting building systems, building technologies, details and of course, products. But what about patenting architecture? Jack Martin brought this to our attention in light of Apple successfully getting an architectural patent for the design of a store in the Upper West Side in New York City, asking “On what grounds can you patent architecture?” The inventors listed in the patent are architects Karl Backus, Peter Bohlin and George Bradley of Bohlin Cywinski Jackson, and Robert Bridger, Benjamin L. Fay, Steve Jobs and Bruce Johnson for a design that Architect’s Newspaper describes as “meticulous and seamless as its clients”.
So, what is the extent of patenting architecture? Structural systems, materials, details, conceptual strategies, the look of it? We interpret architecture as a language in itself, but it is difficult to conceive of copyright infringement when it comes to architectural design because it is difficult to pin-point exactly what makes all of the parts of a building a copyrighted entity. What if Le Corbusier patented his designs? Mies van der Rohe? Frank Lloyd Wright? Their work and strategies have been copied and implemented all over the world to varying degrees. So, where is the line between protecting an original idea and creating a barrier against progress? Or does this commercialization of architecture fuel competition to design better or design around strategies already patented? More after the break.
In this interview published by Seattle Met, Lawrence W. Cheek speaks with Tom Kundig, principal at Olson Kundig Architects. Kundig has defined his career for designing homes that are flexible and considerate in their materials, functions, response to site and the way that the human body interacts with the space and mechanics of the environment. This interview is excellent at revealing Kundig’s inspiration and priorities when it comes to designing homes and he mentions some great examples and strategies that he has taken over the years.
Here is just a list of the variety, but consistency, representative of Kundig’s work:
On January 25th at 6pm, Tom Kundig will be speaking with Mark Rozzo at the New York Public Library about Tom Kundig: Houses 2. More information on that event coming soon.
Follow us after the break for the full interview, courtesy of SeattleMET, ”Q&A with Architect Tom Kundig” by Lawrence W. Cheek.
In his interview with Renzo Piano, Rob Gregory of Architectural Review discusses architecture, responsibility and innovation within the field. Piano talks about architecture is being a highly considered inquiry into the process of making because “architecture is more lasting and profound” and if it is done wrong, with the wrong intentions and assumptions, then “it is wrong for a long time”. In regards to his work, Renzo Piano speaks about the “good and bad stories” that surround buildings. Mentioning The Shard in London, designed in partnership with Hunter Douglas and Pompidou Centre, designed in collaboration with Richard Rogers, Piano reflects on the role of architecture in a city as a public building and cultural magnet.
More after the break.
The United States Green Building Council‘s (USGBC) Center for Green Schools, started by the Georgia Chapter, is behind the transformation of the educational system in this country through the introduction of high performance schools and facilities. It all starts with providing an environment for learning focusing on health, education and the responsible use of funds, which are “the three major concerns that the school system struggles with”, says Laura Turdel Seydel – Chair of the Captain Planet Foundation. The fundamentals are simple and are the typical goals of the Board of Education. But this initiative, which is a coalition between some of the top educational and environmental associations in the country, does this by focusing on where students are learning and that means updating the technology of our schools.
Join us after the break for more.
If you are in the San Diego area and looking for something to do this weekend, check out the Phenomenal: California Light, Space, Surface exhibit at the Museum of Contemporary Art San Diego. It is your last chance to experience the exhibit at the museum’s La Jolla location, as it will be closing this Sunday, January 22. However, the exhibit will remain open to the public at its downtown location in San Diego into spring and summer.
More after the break.
From residences to public and institutional architecture, Steven Ehrlich, FAIA has produced a range of distinctive buildings that have earned him recognition among colleagues and the AIA California Council, which has awarded him with the 2011 Maybeck Award. According to AIACC this award honors “outstanding achievement in architectural design as expressed in a body of work produced by an individual architect over an extended career”. The honor of Maybeck Award is not granted annually. The last recipient was in 2007. It is distinctive from the Lifetime Achievement Award and the Firm Award, recognizing the individual’s contribution to the practice of Architecture. It was established in 1992, and Steven Ehrlich, principal and founder of Ehrlich Architecture located in Culver City, California, is the 14th recipient of this award.
Follow us after the break for more on the award and Steven Ehrlich.
Architectural Dialogues is a film by Sasha Waltz shot in the unconventional setting of three museums and cultural centers: Neues Museum in Berlin designed by David Chipperfield Architects in collaboration with Julian Harrap, MAXXI National Museum of the XXI Century Arts in Rome designed by Zaha Hadid and the Jewish Museum in Berlin designed by Daniel Libeskind.
More on the film with trailers after the break!
Earlier this week RIBA unveiled its results from the December 2011 Future Trends Survey. Andrea Klettner of bdonline reports that although the overall trend in architectural practices is a decrease in confidence over future workloads, female employees seem to be hit dispropotionately by the challenges the industries faces. RIBA’s Future Trends Survey also found that female architectural staff fell 4% since 2009 and that between January 2009 and its most recent poll, female architectural staff fell from 28% to 21%. This news only emphasizes the findings that Architects’ Journal discovered after conducting its first Women in Architecture survey which quizzed 700 women “about career challenges as well as sexual discrimination, children, pay and role models”.
Read more after the break.
ArchDaily is once again updating you on the progress of The Stavros Niarchos Foundation Cultural Center designed by Renzo Piano. We showed you initial plans for the building back in 2009. Since then, we have been provided with more detail on the development of the project, which we continue to share with you. As previously mentioned, the center will be a sustainable arts, education, and recreation complex that will contribute to the community of Athens, financed by the Stavros Niarchos Foundation. Plans for this building began five years ago but it was not until December 2011 that preparatory excavation work finally began. Construction is scheduled for Spring 2012 and according to the foundation website:
The beginning of the construction phase comes at a very critical juncture in modern Greek history and brings a much-needed sense of optimism and hope, as well as a whole range of significant economic benefits to the country. Approximately €1 billion of total economic stimulus will be derived from the upfront commitment in the construction of the SNFCC, while 1,500 to 2,400 people will be employed each year to support SNFCC construction and all related industries.
More after the break.
Rather than trying to compete with the sublime landscape of Utah, New York City based Tod Williams Billie Tsien Architects chose to create a building that framed the views and contained a perspective from which to appreciate the alpine landscape. This design is one of five proposals for the transformation of the Kimball Art Center in Park City.
More on this proposal after the break.
In this TEDx sponsored talk, Rachel Armstrong - co-director of AVATAR (Advanced Virtual and Technological Architectural Research) in Architecture and Synthetic Biology at the Bartlett School of Architecture, University College London (UCL) – speaks about the dangerous relationship that we have developed with machines since the industrial revolution and ways we can break that habit. Along with her research on “living materials” and “synthetic biology”, Armstrong is looking for ways to rebuild the relationship between our reliance on machines and the systems of nature and our ecologies that are often neglected.
More on this talk after the break.
The Kimball Art Center design proposal by Will Bruder+PARTNERS focuses on the nature of “exhibition” in the context of history. Taking a cue from the “colorful prehistoric petroglyphs and pictographs” of Utah’s canyons along with its abundance of formally expressive Victorian architecture, the proposal takes on the role of expression and education through color and craft. This sensitivity to the history and propogation of exhibition is instantly understood with the facade walls of Main and Heber Streets.
Follow us after the break for more…
The Council on Tall Buildings and Urban Habitat is announcing its second annual student competition for “Reimagining Tall”. The competition will be held in conjunction with CTBUH 9th World Congress Shanghai 2012. Competition chair William Pedersen of Kohn Pedersen Fox noted that the competition hopes to give new meaning to “the tall building” and move it “away from just an instrument of financial exploitation and toward a development highly concerned with its impact on the city, the environment, and the urban habitat”. The competition is seeking proposals that address the building’s relationship with the urban fabric, integrate existing street life and reflect their environment in a productive way. This should be an interesting competition considering we are entering the era of the megatall.
More details on the competition after the break.
The Kimball Art Center in Park City, Utah is hosting a competition for a transformation of the “non-profit center for the arts in the heart of Park City’s historic and vibrant art community”. The list of architects competing to transform this cultural space is selective. Among them is Sparano + Mooney Architecture, an internationally recognized firm with offices in Park City, Utah and Los Angeles, California. The competition submissions for Stage II will be presented on February 2nd, but until then here is a preview of Sporano + Mooney’s Proposal!
Follow us after the break for more…
