Community & Content Editor at ArchDaily. Bachelor of Arts in Interior Architecture & Master's in Product & Business Development. Born and raised in Beirut, Lebanon.
What do Kanye West and Frank Gehry have in common?
As a first impression, not much. However, they have both engaged on stages with striking design details: the use of exaggerated scale and dimensions to manipulate visual perception, bulky concrete walls and slabs to emphasize heavyweight and grandiosity, visible scaffolding to create an industrial, unfinished feel... Sounds familiar, doesn’t it?
Skyrocketing prices of London housing have become so unbearable that many have turned to less-than-ideal compromises. Large homes can be found but come with commutes of hours; places are still available in the city, but only for those with sky-high paychecks. Unable to balance their needs, people are resorting to workarounds that disrupt the existing urban fabric and dissatisfy all involved. Surely we can do better.
Have you ever found yourself losing a good night’s sleep due to an overly warm room? Or wearing four jackets and a scarf just to tolerate your office’s frigid air conditioning? Truth be told, you can’t please everyone when it comes to adjusting an indoor climate, and there is always that one unfortunate individual who ends up sacrificing their own comfort for the sake of others.
Evidently, there are no ‘universal standards’ or ‘recommended comfort ranges’ in designing building systems, since athletes training in a gym in Mexico will not feel comfortable in an interior with the same building systems of a nursing home in Denmark, for instance. Which is why, if we were to briefly define ‘thermal comfort’, it is the creation of building systems that are adapted to the local environment and functions of the space, cooperatively.
What is architecture if it does not understand its context? Architecture is shaped and curated by the area it lives in, showcasing the culture it embodies. The more of this identity it embodies, the more meaningful (and sometimes prominent) it becomes.
December of 2018 was a month of prosperity for Lebanese architecture: Hashim Sarkis was announced curator of the 2020 Venice Biennale and Lebanese-born Amale Andraos and partner Dan Wood of WORKac were selected to build the Beirut Museum of Art. The museum, a dynamic assembly of contoured geometries (not entirely unlike their work at Miami's Museum Garage) located in the heart of Beirut City, will house permanent and temporary exhibitions across 12,000 square meters. WORKac's winning scheme was chosen for its ability to “reveal the cultural possibilities of integrating art, architecture, and landscape within a dense urban setting and as a means to re-imagine how we can live, learn and share together.”
Architects no longer need to drag around giant roller drawings to a job site, now they can flip through a 3D model on an iPad. This shift in technology elevates the conversation about design and simplifies presenting design ideas from the start.
The ‘Super Tall and Skinny’ NYC Tower 111 W 57 by SHoP Architects is forging ahead as seen in this photographic construction update by Paul Clemence from Archi-Photo. In the photos, the glass and terracotta facade seems largely complete, casting beams of light into New York's notoriously valley-like streets. SHoP's ultra-thin residential tower, which is set for completion this year, will rise above the Empire State Building and even One World Trade Center, taking a bird's eye view over the entirety of the city skyline.
Singapore’s creative community will soon be thriving as one of the city's buzziest projects, Design Orchard, nears completion. Designed by Singapore-based architecture firm WOHA, the 2350 sqm green project has been under construction since early 2018, and will officially be open to the public on the 30th of January, 2019.
Located on Orchard Road, the city’s most iconic shopping avenue, the project's publicly accessible sloped rooftop park will incorporate multiple services and public areas, accentuating the design and providing up-and-coming designers with a space to create, produce, and exhibit.
Although the National Autonomous University of Mexico (UNAM), south of Mexico City, is home to the well-known O’Gorman murals, it is, in fact, the campus itself, that is quite intriguing. Walking through UNAM, individuals find themselves in an architectural display of modernist buildings that date back 70 years, along with open courtyards, hidden walkways, and pavilions. Uniquely, the campus buildings have a little bit of everything: bold geometry, openness, abstraction, humanistic design, permeability with nature, decaying masonry walls, local lava rocks used as walls, and pavers throughout the campus.
Artistic expression is often undisciplined. Sometimes, the riot of colors and explosion of lines and forms help unleash a 2D illustration out of its medium, which is precisely what Drawing Architecture Studio (DAS) managed to create in Ucommune’s new branch in Dajiang Hutong, Beijing.
In late 2018, Li Han, co-founder of Drawing Architecture Studio, won the 2018 Drawing Prize for her digital drawing of The Samsara of Building No.42 on Dirty Street, which also illustrates a visual narrative of the city of Beijing and its residential chronology throughout the 21st century. This year, DAS took Qianmen area, co-working brand Ucommune’s location as a subject, transforming its road network, architecture, and urban composition into a dynamic, meticulously detailed panorama titled Under the Zhengyangmen.
Award-winning architect Steven Holl has expressed his dismay of modern-day architecture to Metropolis Magazine. Although Steven Holl Architects (SHA) have recently won the design competition of a gateway building at University College Dublin, and have completed new buildings in London, Houston, Virginia, and Richmond this past year only, the architect is convinced that regardless of all the success, “it’s not a great moment, there are a lot of bad architects”.
As imaginative and hypothetical as their work may seem to some people, many visionaries have created admirable artwork that look beyond the ordinary and rethink architecture and urban spaces. Xinran Ma, the New York-based architectural designer and illustrator has visualized his architectural fantasies, and created numerous series of drawings, two of which were entries for Fairy Tales 2016 and 2017 by Blank Space."
Drawing inspiration from Italian artist Giovanni Battista Piranesi, known for his imaginative etches of Rome, and the collaborative works of Alexander Brodsky and Ilya Utkin, who produced avant-garde depictions of cities and landscapes, the illustrator has once again shared his creations with Archdaily, expressing his passion “to vision architectural fantasies that transcends time through graphic narratives”.
Known for hosting the "best creative conference in the world," the Design Indaba Festival brings together internationally-acclaimed architects, designers, emerging talents, critics, and art enthusiasts all under one roof to discuss the importance of making the world a better place through design. Over the last two decades, the annual conference has centered on "design activism," with a focus on online design publications.
The multi-sensory event will take place in the heart of Cape Town from 27 February to 01 March 2019 in the Artscape Theater Center. The theater has been a pioneer in artistic expression and display for more than four decades, providing a platform of world-class productions and innovative sets.
Mud City, the Windy City, the City of the Big Shoulders... If there is one thing we are certain of, it is that Chicago is the birthplace of exceptionally tall buildings.
To celebrate the city's ongoing innovations in soaring skyscrapers, Orbitz has illustrated 20 of Chicago’s most iconic sky-high architecture.
View the republished content from Orbitz' list complete with an interactive timeline of Chicago's tallest buildings.
Every city has a story. Throughout history, many natural and man-made changes have altered the way cities were originally laid out. For some, the urban form developed as a result of political disputes, religious separations, or class divides. For others, a more mixed approach has allowed for uniquely mixed cultural atmospheres. And while development of cities is typically slow, occasionally cities experience dramatic and immediate changes to the urban fabric - the results of natural disaster, military conflict, or industrial catastrophe.
What happens next - if anything - can reveal a great deal about not just the city itself, but the local culture. Do cities rebuild exactly as they were? Or do they use disaster as an opportunity to reinvent themselves? The following is a roundup of cities that have moved past catastrophe to be reborn from the ashes.
Home-sharing has become a phenomenon in the real estate and housing markets, with design playing a key factor in the success of a property, home, or room. The radical departure from the beige wallpaper and white linen hotel room has opened up a world of possibility for the adventurous traveler, from spending a night on the Great Wall of China to staying in an architectural masterpiece.
To help you design a successful Airbnb, we have provided 25 design tips for homeowners looking to turn their properties into profit. Remember, it's all about first impressions, and having that “curb appeal” will ultimately bring in people seeking one-of-a-kind experiences.
As the demand of a sustainable lifestyle increases, cities are trying to find strategies to create environmentally friendly communities. From passive designs to recycled materials, architects are turning their attention to climate change and trying to find solutions through architecture and design.
The Zero Emission Neighborhood is an eco-village concept proposed by Architecture for Humans in the city of Pristina, Kosovo. The concept ensures optimum sustainability for the entire community through “zero emission” buildings, passive design strategies, active solar systems, and energy efficient appliances.
A table and a bench. A coffee table and a mirror? Perhaps it’s a stool and a cutting board.
This is not a furniture identity crisis, it’s Varia, a six-piece, mix-and-match furniture collection that can create over 25 pieces of furniture, saving money, space, and time. The creators, Jamie and Laura Kickstarted their project after Jamie found herself constantly moving from one place to another, and in need of versatile material instead of having old, unnecessary furniture pieces. With just a couple of lightweight metal frames and solid hardwood accessories, the collection is ideal for compact urban living and can be transformed into different furniture pieces in no time.
In brief, this is Varia, and it is pretty much anything you want it to be.
Varia's Kickstarter ends on August 31, support Jamie and Laura's project here.
Some restaurants don’t need a review to get attention. You might know them for their longevity, their presence, or even just their advertisements. But most importantly, whether it’s their grand luminous logo, or the building’s prominent architecture and color palette, these franchises are more or less the same (the menu, the music, the interior design…), wherever you are, be it London, Lima, or Lahore.
Recently, however, a few of these places have begun to shift away from the “architectural stamp” that they use in all their branches, hiring design firms to rebrand their restaurants - and by extension, their image. This bespoke approach can result in outposts that are atypically site-specific, understated, and individual. For users, it may be a point of curiosity; a reason to revisit what you think you already know. For the brand, it's an attempt to cater to evolving tastes (culinary and otherwise) without having to alter the core product.