Founder of this wonderful platform called ArchDaily :) Graduate Architect. Jury, speaker, curator, and anything that is required to spread our mission across the world. You can follow me on Instagram @dbasulto.
The Water Cathedral is a large, horizontal urban nave for public use. The structure is made up of numerous slender, vertical components, which hang or rise like stalactites and stalagmites in a cave, varying in height and concentration. The project incorporates water dripping at different pulses and speeds from these hanging elements, fed by a hydraulic irrigation network. When filled with small amounts of water, the stalactite components act as interfaces out of which water droplets gradually flow and cool visitors below. The stalagmites topography provides elements of shade, along with plants and water that collect under the Water Cathedral’s canopy.
BIG has just been announced as the winner of the competition for the new Kimball Art Center in Park City, Utah. The non-profit community center for the visual arts, which started in 1976, invites people to experience art through education, exhibitions and events. The aging historic building (dated from 1929) was in need of restoration and an addition that could allow the organization to increase their educational outreach and enhance the quality and scale of the exhibitions, while maintaining free admission to the public.
Today, the Serpentine Gallery announced the team that will design the twelfth edition of the Serpentine Gallery Pavilion, a special edition that will be part of the London 2012 Festival, the culmination of the Cultural Olympiad.
Every year the gallery invites a renowned international architects who has not built yet in the UK, to design a temporary pavilion that hosts public activities in at the Gallery’s lawn, in London’s Hyde Park between June and October 2012. The list of architects for the past editions includes several Pritzker laureates. More info of this program at our Serpentine Gallery Pavilion infographic.
Their design will explore the hidden history of the previous installations (more info), with eleven columns under the lawn of the Serpentine, representing the past pavilions and a twelfth column supporting a floating platform roof 1.5 metres above ground. Taking an archaeological approach, the architects have created a design that will inspire visitors to look beneath the surface of the park as well as back in time across the ghosts of the earlier structures.
Recently we had the chance to visit Allied Works office in NY to interview the firm’s founder Brad Cloepfil. It was a great interview, and I really liked the atmosphere of the office: A young team, many abstract study models, beautiful drawings on the boards, and a subtle music playing in the background, it was like seeing the inside of a creative machine at work.
Using a magnetic plastic compounds, magnets and simple gravity, Jólan gives birth to the Gravity Stool, an expressive piece of furniture that is like a frozen moment of physics exposing the forces in action. You can see the full process on the above video by Miranda Stet.
The Gravity Stool thanks its unique shape to the cooperation between magnetic fields and the power of gravity.
Departing from the idea that everything is influenced by gravitation, a force that has a strongly shaping effect, I intended to manipulate this natural phenomenon by exploiting its own power: magnetism. The positioning of the magnetic fields in the machine, opposing each other, has largely determined the final shape of the Gravity Stool.
Through our interview program, I’ve had the chance to meet with some of the world’s most renowned architects, while creating a moment to share their views about the profession with our readers.
During these days we have received close to a thousand seasonal greetings from architects, photographers and editorials around the world. We are very grateful to have collaborated with an amazing group of professionals, who mixed creativity and humor on their e-cards.
Enjoy a selection of these e-cards, including this nice Ginger Bread Vitra Haus, along with Snøhetta, SOM, Richard Meier, BIG, CEBRA, and more!
Architectural photographer Cristobal Palma has shared with us this video of the Chilean Pavilion at the 2011 Shenzhen & Hong Kong Bi-City Biennale of Urbanism\Architecture.
“Gimme Shelter!”, designed and curated by Sebastián Irarrázaval and Hugo Mondragón, features projects and architectural innovations developed by local architects during emergencies and natural catastrophes in the last years.
The poetic expression of these emergency landscapes has also oriented the construction of the Chilean pavilion. To achieve this, we chose to overturn the conventional relationships of the elements that comprise it: mattresses positioned vertically become screens for projecting images; security cones and water bottles, cut up and then reassembled, become lamps; emergency tape and water bottles become tensors and counterweights. Once this mechanism was set in motion, we provocatively introduced certain conventionally used forms: a massive bed with mattresses placed in the center of the pavilion, and a window display with large water drums and dispensers at the far end of the pavilion, promising visitors a bit of rest and relief.
For the exhibition, we selected architectural works, visual pieces and technological innovations that experimented with the concept of the essential and the ingenious in precarious contexts. On the other hand, and in keeping with the project mechanism put into action through the formalization of the pavilion, we also decided to select projects that exhibited a certain degree of disruption to some element of the cultural or material patrimony of Chile.
Architecture photographer Fernando Guerra (FG+SG) posted this short video of the renowned Portguese architect and Pritzker laureate (1992) Alvaro Siza, while working and singing to The Beatles. He looks quite inspired!
The last part of our Brazilian day, commemorating the 104th birthday of the renowned Brazilian architect Oscar Niemeyer and the launch of ArchDaily Brasil: An exclusive interview with Mr Niemeyer himself.
- How did you start your office?
My office in Copacabana -the only one that I have- was opened and organized to meet, since the early 50s, the ever growing demands.The last 13 years I have been the only architect here “at work”; the initial stage of the projects is done by me, up to the basic project, and then I trust its development by other architecture offices, specially the ones directed by my colleague and friends Jair Valera and my dear granddaughter, Ana Elisa.
- For you, what is Architecture?
In my opinion, architecture is invention. And under this prism is how I do my projects, always searching for beautiful, expressive, different and surprising solutions.
Architecture is all about passion. Sometimes it can be very complex, slow, even painful… but our passion will make us push until the end, to see our creations come to reality no matter what. This passion turns into an entrepreneurial spirit, collaboration and the desire to use our knowledge to influence our society and to improve our built environment. For me, one of the best living examples of the passionate architect is the Brazilian master Oscar Niemeyer.
Today the master turns 104 years old, and he is still working at his office in Copacabana, Rio de Janeiro, from where we interviewed him, delivering projects in Brazil and around the world. So passionate about his work, that he can’t stop.
Devoted to architecture and women, he was able to express his passion for both.
mountains/waves/women = curves
It is not the right angle that attracts me. Nor the straight line, tough, inflexible, created by man. What attracts me is the free, sensual curve. The curve I find in the mountains of my country, in the sinuous course of its rivers, in the waves of the sea, in the clouds of the sky, in the body of the favorite woman. Of curves is made all the universe.
National Technical University of Athens, School of Architecture
Cipher City, 01-07 April 2012
In today’s world of amplified social interaction and connectivity there is a need for the built environment to evolve beyond its current relatively static state. In 2012, Cipher City takes place in one of Europe’s most historical and ever-changing cities, Athens, offering a direct engagement with design models characterized by action. In the capital of Greece, where innovation has been always a force of creativity, the workshop will be hosted by the NTUA School of Architecture.
In its urban context, Athens presents a challenging mixture of historical diversity and current developing territories in the outskirts of the city. The act of reaching from one place to another in a continuous and fluid way therefore becomes the starting point in developing working kinetic prototypes energised by motion on horizontal planes. The workshop aims to bring out the dynamic qualities of the seemingly inanimate urban surroundings, such as urban paths, sense of orientation, topography, and bridge these with the animate qualities of the human body. During this process, participants will have the opportunity to experience the historical, contemporary, and geographical diversity of Athens during studio trips, while challenging the conventional design approach in order to break the dichotomy between the building and the urban realm. Capable of responding to external stimuli, the proposed structures will apply the concepts of motion and real-time reaction to various parameters.
