The role of the architect—and even architecture itself—in society today is changing. A lack of interest in critical social issues from a profession that holds such high responsibility within a community is a problem that should no longer be avoided.

In an exhibit currently on show at the Center for Architecture and Design in Seattle titled "In the Public Interest," Garrett Nelli Assoc. AIA challenges the profession of architecture to establish a focus on more community-engaged design. With the help of the 2017 AIA Seattle Emerging Professionals Travel Scholarship, Nelli traveled to Los Angeles, rural Alabama, Haiti, Italy and New Orleans, all the while analyzing how the built environment has the ability to influence social change.

Read on for an edited interview with Nelli about his research and how you can begin to implement elements into your design practice to help promote social change in your own communities.

In a recent interview with Metropolis Magazine, Kenneth Frampton answered questions about his existing architectural influence and his opinion as it relates to the direction of architectural theory and criticism. Frampton has long been a prominent voice in the world of architectural theory and writing. He has taught at Columbia University's Graduate School of Architecture, Planning and Preservation (GSAPP) since 1972, all the while publishing a large collection of critical essays and books on the topic of 20th-century architecture—the most notable of those being his 1983 essay “Towards a Critical Regionalism: Six Points for an Architecture of Resistance.”

Even today, Frampton's evaluation of critical regionalism is still widely appreciated. In the interview, Frampton admits that he now sees the influence of critical regionalism primarily outside of "the Anglo-American world," but he believes that the implied importance of a "direct democracy" is what he sees as most beneficial.

What if the one thing that makes BIG "BIG" was suddenly stripped away right at the apex of its potential? That's the question posed by the trailer for Kaspar Astrup Schrøder’s documentary BIG TIME, which ominously illustrated a possible problem with Bjarke Ingels’ health.

Schrøder's documentary highlights the intense journey of Bjarke Ingels, the founder of Bjarke Ingels Group, through the past few years of his life. This unique insight into what exactly it's like to be an architect on top of the world ultimately poses a question that needs to be answered by anyone seeking to reshape the world through design. How do you handle the responsibility of forming the future you want to live in?

We all know a little about the world's tallest buildings—those engineering feats which define their cities and become symbols of human achievement—but what of the buildings that never took their planned place in their respective skylines? In 2014, The Council on Tall Buildings and Urban Habitat (CTBUH) released a report listing the 20 tallest buildings that were never completed (an up-to-date list is also maintained on their website here). In order to be considered "never completed," all of the buildings in the report had begun site work, but construction was completely halted with no reports indicating it will continue. Read on to find out the top 10 tallest uncompleted buildings in 2018 after the break.

Johann David Steingruber was a German architect and designer with over 100 buildings to his name, including many churches, town halls, school buildings and even breweries. However, perhaps what he is best known for today are the intricate illustrations of his 1773 Architectural Alphabet, in which he converted the alphabet into plans for a series of eccentric baroque palaces.

Done more as a "labor of love" rather than for any practical reason, Steingruber's book is a compilation of playful and intricate spatial relationships, with each letter providing its own unique set of challenges. Even though the letters naturally offer more complex shapes than we would ordinarily use for plans, the spaces somehow make sense. The baroque style of oval antichambers, domes, and vaults is evident not only in the plans but also in the elevations.

The history of Slovakia is riddled with political unrest and unwanted occupation, with the Slovak people having repeatedly been denied a voice throughout history. In the years following World War I, Slovakia was forced into the common state of Czechoslovakia; the territory was dismembered by the Nazi regime in 1938 and occupied by the Nazis for most of the Second World War, before being eventually liberated by Soviet and Romanian forces in 1945. Over the next four decades of communist rule—first by communists within Czechoslovakia itself and then later by the Soviet Union—the architecture of Slovakia came to develop into a unique form of sci-fi postmodernism that celebrated the shift in industrial influence at the time.

Photographer Stefano Perego has documented the Slovakian architecture from the 1960s–80s and has shared some of his photos with ArchDaily.

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We live in a world that spends more time online than outside. And as architects and designers, we invest in creating a more engaging world by means of enhancing life through our buildings. However, through a perhaps unique form of tunnel vision, we are missing an incredible opportunity to leverage alternative mediums to impact more people through our design businesses.

Here are 5 ways to utilize your creativity to produce unique content that will help enhance your impact on the world of design, and in turn, push you and your design business forward:

A post shared by H.Nakamura (@toilets_a_go_go) on May 25, 2017 at 12:44am PDT

When looking back on the rich history of Japanese architecture, some of the things that immediately come to mind are complex wood joinery, hipped roofs and intimate experiences with water. Today, Japan is on the cutting edge of architectural innovation in many different buildling types—skyscrapers, office buildings and micro-housing to name a few. However, this Instagram account chooses to highlight an extremely unappreciated building type—public restrooms.

Cheekily named @toilets_a_go_go, the account promises its followers the "discovery of Japanese toilets," covering everything from bathroom pavilions inspired by traditional Japanese architecture to metabolist-like toilet pods—with a few novelty structures thrown in for good measure. If the name of the account did not already reveal the identity of the structures, one might even mistake many of them for something else. We typically overlook public restrooms or even see them in a negative light, but this account showcases the power of architecture to improve a neglected building type, showing that even a trip to the toilet can (and should) be beautiful.

The Getty Conservation Institute has announced a workshop to address the care and conservation of three museums designed by Le Corbusier. The three museums are the only museums designed by the prolific architect. The workshop will be held in India, where two of the three museums are, with municipal corporations from Ahmedabad and Chandigarh serving as hosts for the event. The Foundation Le Corbusier, located in Paris, will also be assisting with the workshop.