Babyn Yar, a ravine in the Ukrainian capital Kyiv, witnessed the killing of more than 33,000 Jewish men, women, and children, on September 29 and 30, 1941. The site of one of the largest single massacres perpetrated by occupying German troops against Jews during World War II, Babyn Yar became a symbol of the Holocaust by Bullets.

While the main tragic event took place in 1941, throughout the occupation, the site was used as a killing location by the German forces. In fact, it is reported that 70 to 100 000 people lost their lives in Babyn Yar. With no architecture to the tragedy and only a remaining “broken” landscape, people struggled with achieving memorialization and public recognition. 

+ 25

Stating that “design and sustainability are indissociable”, the 2022 European Union Prize for Contemporary Architecture – Mies van der Rohe Award, centered its nominations on social inclusion, sustainability and circularity, and aesthetic research. So far, 40 shortlisted projects are moving to the next level. The biennial contest that gives tribute to works completed within the previous two years in general, will announce the 5 finalist works in February 2022, and the winner in April 2022.

Focused on 3 main titles, "the European city: a model for the sustainable smart city", "defining common European culture while reflecting the diversity of expression" and "an architecture that has social impact and transmits a cultural message", we have grouped the selected projects, nominated by a jury formed by Tatiana Bilbao, Francesca Ferguson, Mia Hägg, Triin Ojari, Georg Pendl, Spiros Pengas and Marcel Smets to give a better understanding of the selection criteria and the architectural situation in Europe. 

+ 24

Videos

“A Broken House” is a documentary directed by Jimmy Goldblum that highlights the story of Mohamad Hafez, a Syrian native that moved to the US on a single-entry visa to study architecture and was not able to return home. Facing his fate, he channeled his homesickness in his artwork, and started producing miniature sculptures of his hometown, in order to build the “Damascus of his memories”.

“If you can’t get home, why don’t you make home”. Telling the story of the human being that lived within, the architectural project gained a political dimension after the eruption of the Syrian civil war, portraying the extent of the destruction suffered by the city, humanizing refugees, and sharing their stories.

+ 12

2021 was the year of a new reality, with humankind adapting to what is known as the second year of the pandemic. While some countries witnessed a return to alternative normality, opening up to the world through travel and events, others stayed in lockdown, expanding furthermore the inequality gaps. Nevertheless, this year also brought a lot of hope in all aspects, raising questions and building solutions for the near future.  With a major focus on climate urgency, biomedical research as well as notions of hybridity, 2021 has triggered new understandings of the environment that surrounds us and of our place in this world.

Highlighting contextual topics, bringing both a local and global perspective, while shedding light on overlooked historical narratives, ArchDaily's diverse team of editors has been front and center, reacting to everything that has been happening. Always seeking "to empower everyone who makes architecture happen to create a better quality of life", the editorial content, generated across all sites, in our 4 languages, English, Spanish, Portuguese, and Chinese, provided tools, inspiration, and knowledge to widen horizons and help our users build a better future.