I am a Bucharest-based architect with a keen interest in the programmatic complexity of the contemporary built environment, and I am passionate about architecture that enhances social capital and the quality of life. I see architectural space as a potential catalyst for social interaction, and I am inspired by the possibility of enabling human connections through design.
The City Council of San Jose recently approved Google’s “Downtown West” mixed-use corporate campus, an 80-acre net-zero environment, also set to feature the largest multimodal transit hub on the west coast. A departure from the tech campuses of Silicon Valley, the masterplan designed by San Francisco-based SITELAB urban studio is envisioned as an integrated part of the urban environment, an extension of Downtown San Jose open to the local community.
Within an increasingly specialized environment, architecture is becoming a collective endeavour at every stage of the design process, and social sciences have acquired an important role. As architecture has become more aware of its social outcome, decisions formerly resulted from the speculative thinking of the architect are now backed up by professional expertise. The following discusses the increasing role of humanist professions such as anthropology, psychology, or futurology within architecture.
The 17th Venice Architecture Biennale debuted last week, showcasing a diverse and inspiring array of possible answers to the question “How will we live together”. Despite the many hurdles inflicted by the pandemic, this year’s edition of the event broadens the scope and reach of the Biennale, restating its role as a platform for inquiry, exploration, and disruptive thinking in architecture. Archdaily had the opportunity to meet in Venice with one of the co-curators of the US Pavilion, architect, author, and University of Illinois professor Paul Andersen, to discuss the idea behind the Pavilion and how it reflects the overarching theme of the Biennale.
Earlier this month, New York City Mayor Bill de Blasio announced the launch of the Open Boulevards program, an initiative that would temporarily close off car traffic on boulevard segments across several blocks, expanding the public space for dining, cultural activities and artistic performances. The project builds on the successful initiatives Open streets and Open Restaurants, which transformed the city’s streetscape to better serve diners, cyclists and pedestrians amidst the pandemic.
Designed by Heatherwick Studio, together with landscape architecture firm MNLA, the long-awaited Little Island project is New York’s newest major public space, showcasing a richly-planted piece of topography above the Hudson River. The design featuring a public park and performance venues reinvents the pier typology into an undulating artificial landscape. After surpassing many hurdles, the eight years in the making project is now open to the public, and the bold design is set to become an icon in New York.
Bjarke Ingels Group has unveiled the final design for Västerås Travel Center, a transport infrastructure hub bringing together multiple travel modes within one cohesive architectural object. The project's defining feature is a light, undulating roofscape unfolding across the various complex elements of the program that make up the urban node, creating a new landmark for one of Sweden's largest cities.
For the first time in the Venice Architecture Biennale, the island nation of Grenada presents the exhibition COethos, featuring its newest architectural landmark, Grenada's House of Parliament, together with a number of ideas for regenerating the city of St. George's. Curated by the Babau Bureau collective, the pavilion showcases the design and building process of the Parliament building, as well as explorations of the various possibilities of re-activating public spaces along the town's harbour.
Reflecting on the future of shopping centres and addressing their decline in visitors, MVRDV's Heuvelkwartier design proposes converting Eindhoven's Heuvel shopping venue into a green cultural quarter. The project brings together retail, culture and recreation, expanding the existing buildings while transforming the roofs into a park. The proposal also expands the Muziekgebouw with a stacked cultural building encased in a "glass mountain", creating a new landmark for Heuvel.
Recent years have seen an increased acknowledgement of the collective endeavour that is architecture and a better valuing of the different professions that participate in the design process. Within every extraordinary building, structural engineering plays an essential role in delivering the architectural vision. The article highlights the past and present contributions of engineering to the built environment, personalities that have stood in the shadow of architects delivering their design intent, and the collaboration between engineers and architects today.
The Luxembourg Pavilion at the 17th Architecture Biennale reflects on how the pandemic has brought a series of dualities to the spotlight, challenging the understanding of the relationships established between architecture and land, interior and exterior, home and work or the built environment and nature. In light of these issues, the exhibition titled Homes for Luxembourg, designed by Sara Noel Costa de Araujo (Studio SNCDA) and featuring contributions to the architecture publication Accattone explores ideas of modular, reversible living while also illustrating a model of repurposing land to build new forms of togetherness.
The Loreto Open Community project is the winning proposal of the competition organized by the Municipality of Milan to redesign Piazzale Loreto, now a crowded traffic junction. Designed by Metrogramma, together with Mobility in Chain, Studio Andrea Caputo, LAND, Temporiuso, Squadrati and developed by Ceetrus Nhood, the project envisions a layered system of architectural objects and public spaces that would foster a wide array of activities while also shaping a new green area for the city.
Israel’s Pavilion for the 17th Venice Architecture Biennale highlights the impact of intensive mechanized agriculture on landscapes and ecosystems, as well as the disruption caused to local communities. Titled Land. Milk. Honey and curated by an interdisciplinary team comprising Dan Hasson, Iddo Ginat, Rachel Gottesman, Yonatan Cohen and Tamar Novick, the exhibition portrays the fundamental changes experienced by the region through the stories of local animals, constructing a history of the 20th-century development.
Romania’s contribution to the 17th Venice Architecture Biennale showcases a new perspective on mass migration, a phenomenon with a wide array of causes, ranking high on the international public agenda. Titled Fading Borders and curated by architects Irina Meliță and Ștefan Simion, the exhibition explores the challenges and opportunities of migration and its consequences on the built environment. Using Romania as a study case, where three million people have left the country in the last decade in pursuit of a better life abroad, the curatorial project frames a conversation around the role of architecture in the successful management of the migration phenomenon, as territorial boundaries continue to fade around the globe.
In the second half of the 20th century, Soviet architecture has spread a common aesthetic across highly diverse environments, being an integral part in promoting the totalitarian ideology that disregarded local cultures, envisioning a unified, homogenous society. Nevertheless, in practice, the architecture proved itself susceptible to adaptations and local influences, perhaps nowhere more than in Central Asia. The article looks at the architectural heritage of a geographical area largely excluded from the Western-centric narratives on Soviet Modernism, encouraging a re-reading of a layered and nuanced urban landscape, with images by Roberto Conte and Stefano Perego.
The Architecture Film Festival London, now at its third edition, fosters conversations around architecture, society and the built environment through the medium of film. Along with the International Film Competition, the 2021 programme, debuting on June 2nd and held online, will feature a collection of diverse thematic screenings, essays and events titled "Capsules", which offer a platform to multiple curatorial voices.
Canada’s contribution to the 17th Venice Architecture Biennale explores Canadian cities’ established “career” in cinema as stand-ins for the world’s metropoles, raising questions of authenticity, architectural identity and the collective understanding of the built environment. Curated by David Theodore of McGill University and realized by Montréal architecture and design practice T B A / Thomas Balaban Architect, the exhibition Impostor Cities highlights the diversity and versatility of Canada’s cityscapes as portrayed on film.
Carefully placed within the urban context and the product of searched perspectives and precise gestures, Ateliers Jean Nouvel's mixed-use project Tours Duo is set to become a landmark for Eastern Paris. Located close to the Paris ring boulevard and in the vicinity of a vast expanse of railway infrastructure, the project's site was the main driving point for the design, giving it its iconic shape. The project featuring two inclined towers nears completion, and photographer Jad Sylla shows the structures changing the Parisian skyline.
For this edition of the Venice Architecture Biennale, the Irish Pavilion focuses on data technologies and their presence within the physical landscape, exploring the cultural end environmental implications of data production and consumption. Titled Entanglement and curated by the multidisciplinary research and design collective ANNEX, the exhibition challenges the presumed immateriality of the Cloud, highlighting the infrastructure of data production and its impact on everyday life while also examining Ireland’s role in the evolution of global communication.
