Part of the Austrian Pavilion at the 2018 Venice Biennale, Henke Schreieck’s “Layers of Atmosphere” installation creates two opposing but interconnected spaces; one features a simple wooden structure, whereas the other offers a simple light atrium whose walls are covered in thin layers of paper. Connected by a walking bridge, the spaces provoke questions about architecture as space and architecture that creates space.
Architectural Record released the 2018 edition of its annual list of the Top 300 Architecture Firms in the United States. Compiled by Record's sister publication Engineering News-Record, the list ranks firms based on architectural revenue from services performed in 2017. Gensler remains at the top for the seventh consecutive year. For more insight and comments from the leading firms' leadership, see Architectural Record's announcement.
https://www.archdaily.com/897029/top-300-architecture-firms-in-the-usa-for-2018AD Editorial Team
Brock Commons Tallwood House | Photo: KKLaw; Prefabricated panels aid in a project’s efficiency.
Wood as a building material is experiencing a bit of a renaissance. Though elemental and deceivingly simple, applied technology has transformed the building material. If you have questions about how to choose and use wood, Think Wood's mission is to provide access to the expanding pool of research and information.
In support of this year’s AIA theme, Blueprint for Better Cities, Think Wood is at the AIA Conference on Architecture to share research and resources on the benefits of wood and how it offers better solutions for the communities where we work, live and play. If you're at the conference be sure to stop by the Wood Pavilion at booth 757. If you can't make but are interested in learning more, read on to see the benefits of wood.
https://www.archdaily.com/896903/the-benefits-of-mass-timber-building-on-show-at-aia-conference-on-architecture-2018AD Editorial Team
Titled “The Place that Remains” the Lebanese Pavilion, in the country's first participation in the Venice Biennale, showcased the characteristics and prospects of unbuilt Lebanese territories, and how these lands can improve the built environment and its living conditions. Curator Hala Younis chose to focus on Nahr Beirut (Beirut River) and its watershed, evaluating its bedrock and the challenges that come with it, such as the “fragile nature of territory, scarcity of resources, and commodification.”
We're hiring! Our team works with the most prestigious and influential architectural practices around the world in order to deliver specific and valuable content to a premium readership of architects. ArchDaily quickly established itself as one of the leading architectural websites in the world due to our editorial staff’s meticulous understanding of what our audience is really looking for: the best architecture around the world, as soon as possible. And now, we're looking for another bright, enthusiastic and motivated member to join us.
https://www.archdaily.com/896851/were-looking-for-archdaily-chinas-next-content-editorAD Editorial Team
With more digital tools available to architects than ever before, one has to ask themselves why the sketch remains one of the most valued pieces of representation in the architectural field. Renderings, three-dimensional models, and virtual reality are powerful and efficient innovations that allow architects to express their ideas and designs. However, in our fast-paced world where messages are sent across the globe in a matter of seconds, it seems that nothing compares to the hand-drawn, imperfection of a sketch.
While some sketches are chaotic scribbles developed during the design stage, others are true works of art, aimed to convince clients. Below, we compiled a list of 100 sketches made by architects from around the world to inspire you.
https://www.archdaily.com/896643/100-architectural-sketchesAD Editorial Team
Kerem Piker of the firm Kerem Piker Mimarlık curated this year’s Pavilion of Turkey entitled Vardiya (the Shift), together with associate curators Cansu Cürgen, Yelta Köm, Nizam Onur Sönmez, Yağız Söylev and Erdem Tüzün. Coordinated by the Istanbul Foundation for Culture and Arts (İKSV) and installed at Sale d’Armi, Arsenale, the pavilion functions as a space for gathering, conversation and sharing ideas, with a series of video installations projected on draped fabric screens as well as a lecture and meeting space designed to host the 122 architecture students invited from around the world to participate in workshops, discussions and keynote lectures in the space.
Courtesy of Shenzhen Qianhai Development & Investment Holding Co., Ltd.
The Overall Planning for the Development of the Qianhai Shenzhen-Hong Kong Modern Service Industry Cooperation Zone was approved by the State Council in 2010. The Planning defines Qianhai as an innovative cooperation demonstration zone for Guangdong-Hong Kong modern service industry.
https://www.archdaily.com/896627/pre-announcement-international-tender-for-the-architectural-design-of-qianhai-international-financial-exchange-centerAD Editorial Team
As part of our 2018 Venice Architecture Biennale coverage, we present the completed Romania Pavilion. Below, the curatorial team describes the exhibition in their own words.
Mnemonics proposes a contemporary take on the event’s theme and takes an ultimately optimistic snapshot of the public urban space that Romanian society has seen transforming over the past decades. It raises the question of the social and cultural functions of the free public space in Romanian cities.
As part of our 2018 Venice Architecture Biennale coverage, we present the completed Indonesia Pavilion. Below, the curatorial team describes the exhibition in their own words.
What if architecture has no form and shape? It will be freed.
For the second time in 4 years, Charles Rennie Mackintosh’s Glasgow School of Art Building is ablaze. The BBC reports that the fire began at 23:00 BST and it has engulfed a large portion of the building. Thankfully no casualites have been reported, but one eye-witness said the building is ”going up like a tinderbox.”
https://www.archdaily.com/896545/charles-rennie-mackintoshs-glasgow-school-of-art-is-burning-againAD Editorial Team
Black walls and an exposed concrete floor create a mysterious and eerie backdrop for Together and Apart: 100 Years of Living—the Latvian Pavilion curated by urbanist Evelīna Ozola, architect Matīss Groskaufmanis, scenographer Anda Skrējānem and director Gundega Laiviņa.
The AIA 2018 Conference is fast approaching and architects from around the country are preparing to meet with their peers to exchange ideas and best practices. As part of the A'18 event, there will also be a two-day Architecture Expo, which the organizers describe as a "materials playground." On Thursday and Friday (June 19 - June 20) more than 800 brands and manufacturers will fill the Javits Center, occupying over 200,000 square feet of exhibition space.
https://www.archdaily.com/896357/28-booths-to-visit-during-the-aia-2018-architecture-expoAD Editorial Team
Curated by GRAFT and Marianne Birthler, the German pavilion explores architectures of division and inclusion. In a light-filled space, black panels create division. The initial simplicity of the panels is complicated by their opposite sides, where text and images explicate the impact of wall-building worldwide.
A joint venture from Caruso St John Architects and artist Marcus Taylor, "Island" creates an elevated public space, offering views of Venice and a unique place for both meeting and reflecting.
After Frida Escobedo, Yana Peel and Hans Ulrich Obrist officially presented the 2018 Serpentine Pavilion on Monday, June 11 at Kensington Gardens in London, we had the opportunity to interview Mexican architect Frida Escobedo exclusively for ArchDaily. Escobedo shared with us with us the importance that designing pavilions has had in her career, the relevance of working on public spaces, and offered her thoughts on the perception of the Mexican context outside of Mexico. She also spoke further about the details of the pavilion itself and revealed where she would like the pavilion to be moved after completing its 4-month stay at Kensington Gardens.
The 2018 Serpentine Pavilion opens to the public on June 15th and will remain in place until October 7th, 2018.
https://www.archdaily.com/896242/frida-escobedo-on-the-2018-serpentine-pavilion-mexican-architecture-is-an-architecture-of-layeringAD Editorial Team
As part of our 2018 Venice Architecture Biennale coverage, we present Freestanding, an exhibition in the Biennale's Central Pavilion. Below, the team describes their contribution in their own words.
https://www.archdaily.com/896171/freestanding-exhibition-shows-the-power-and-poetry-of-sigurd-lewerentzs-architectureAD Editorial Team
Honored by this year’s jury as the winner of the Golden Lion for best national participation, the Swiss Pavilion actively defies conventional representation while exploring a specific point of contact between architecture and society: the house tour.