For the International Edition of the CEMEX Building Award 2016, 62 finalists from 20 different countries in North America, South America, Asia and Africa will compete in 5 main categories and and 4 special prize categories. The award, given by CEMEX— the Mexican multinational building materials company—recognizes the best architecture and construction projects that highlight innovation aesthetic and constructive uses of concrete.

The projects that are now set to compete at a global level range from a cultural center in Poland to a school and Spain and even a dam in the US. See this year's finalists below and see the previous winners here.

In this latest photoset, photographer Laurian Ghinitiou turns his lens toward JDS Architects’ Maison Stéphane Hessel, a recently-completed, competition-winning mixed-use building in Lille, France. Containing space for a 70-cradle nursery, a 200-bed youth hostel and an office for socioeconomic innovation, the expressively playful building has been designed to respond to the three stages of human growth, from birth, through adolescence and into adulthood. The building volume lifts at its entrances to create public space and invite the entire community to use the building as a retreat from the bustling city, while inside, carved spaces with built-in, soft-edged furniture provide the ideal setting for learning and development.

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Vertical Walking, an experimental prototype by Rombout Frieling Lab designed "to move ourselves between floors in a building," exploits the potential of the human body, materials and intelligent design to require less than 10% of the effort required by taking a flight of stairs – and without the need for any sort of ancillary power supply. The ultimate aim of the designers is to allow people to "move harmoniously through our vertical habitats of the future."

The official opening date for Caen's new public library, designed by Rotterdam-based practice OMA, has been slated for January 13, 2017. The Bibliothèque Alexis de Tocqueville will serve as the main library for the metropolitan region of Caen la Mer (in Normandy, France), with 12,000sqm of freely accessible multimedia space. Positioned on the tip of a peninsula that extends from the city to the English Channel, the site is part of a larger area of redevelopment. The ambition is for the library to become "a new civic center" for the city.

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Three new sessions have been announced for the 2016 World Architecture Festival (WAF), held from November 16-18 in Berlin, Germany. Adding to the impressive list of speakers at the event will be Ben van Berkel, founder of UNStudio, who will lecture on “Superliving - from exclusive to inclusive”; Carlos Zedillo of Infonavit discussing “Architect as instigator”; and Qutub Mandviwala, MQA, who will present on “Housing and cultural difference.”

Said Ben van Berkel about the event: “It is essential to understand that ‘housing for everyone’ is not simply a matter of providing homes for all, it is also a question of what the home of the future should be; how we can meet the demands of all future residents and provide housing that fulfils their varied and changing needs.”

Located close to the French border, one Belgian city has become a biannual fixture on the calendar for those who work with interior space. Since its foundation in 1968, Kortrijk's (Courtrai in French) Biennale Interieur has been at the beating heart of interior-innovation, curated by leading figures such as Philippe Starck, Gio Ponti, and Verner Panton.

This year, for the Biennale's 25th anniversary, Kersten Geers and David Van Severen (Office KGDVS)—a practice with strong roots in the city itself—have been invited to make their mark on the exhibition's architectural and artistic programme. Their take on the show, entitled Silver Linings, marks a shift from the presentation of objects to the creation of full scale, complete interiors.

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The British government have come to the realisation that the Palace of Westminster—the iconic UK Houses of Parliament designed by Charles Barry and Augustus Pugin—is in desperate need of full-scale restoration and renovation. The decision to move ahead with the plans will be costly and inconvenient; aside from the need to repair the structure, the UK government is bracing itself for eye-watering "relocation" fees. In response to this, Gensler have proposed a temporary parliament on the banks of the River Thames.

As part of a new exhibition at the National Building Museum in Washington D.C., twelve dollhouses tracing the history of British domesticity have been lent by London's Victoria & Albert Museum of Childhood. The show—Small Stories: At Home in a Dollhouse—spans 300 years and presents a miniature-sized, up-close-and-personal view of developments in architecture and design – from lavish country mansions, to an urban high-rise.

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This article is part of our "Material Focus" series, which asks architects to elaborate on the thought process behind their material choices and sheds light on the steps required to get projects actually built.

In this exceptionally imaginative and thought-provoking exercise in perceptual shifts, Ithaca- & Brooklyn-based CODA transformed hundreds of humble plastic lawn chairs into a project in the Arts Quad at Cornell University. Viewed from afar as a spiky singular entity, close inspection reveals the simple, unpretentious repeated module. CODA explains, "the object’s features are no longer understood in terms of their use (legs, arms, seat) but in terms of their form (spikes, curves, voids) as, due to their rotation away from the ground, they lose their relationship with the human body." We asked Caroline O'Donnell, principle at CODA, to explain the challenges faced in the development and construction of the fully-recyclable URCHIN.

As part of a new exhibition at the National Building Museum in Washington D.C., a group of 24 American architects, designers and architects have been commissioned to create "dream homes" in the format of the contemporary dollhouse. Part of Small Stories: At Home in a Dollhouse, in which twelve historical dollhouses spanning the past 300 years from London's Victoria & Albert Museum of Childhood are being presented in the United States for the first time, these 21st Century interpretations intend to showcase a "diverse array of perspectives, demonstrating the limitless creativity of building in miniature."

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If you were captivated by these animations of traditional Japanese woodworking joints, here's a chance to try out some intricate joinery techniques for yourself.

In the spirit of open access to information, professor Jochen Gros and designer Friedrich Sulzer headed up a research project at the C...Lab of the Hochschule für Gestaltung Offenbach in Germany, where they have developed 50 different wood joinery techniques capable of being fabricated digitally, using tools such as a CNC mill or lasercutter.

Now these files have been made accessible to the public via downloadable files in various data formats (including several Autocad capable formats). They have also provided each joint with a PDF guide to assembly, to make piecing together the wood elements a snap. 

The latest chapter in the saga of London's Garden Bridge, which has seen counter proposals and reactionary follies alike, has revealed major concerns relating to its funding mechanisms. As reported by the Architects' Journal, new findings from the United Kingdom's National Audit Office (NAO), which has studied the decision taken by the Department for Transport's decision to grant £30 million ($37 million) of funding to the Garden Bridge Trust, has discovered that the "sum [£30 million] was provided following a commitment from [the] then Chancellor George Osborne, and despite the DfT’s conclusion that there was ‘a significant risk that the Bridge could represent poor value for money’."

We want to see your designs for an architecture Halloween pumpkin! Download the design template below and illustrate/animate/build something that will squash us with your talent. We'll be accepting entries until October 24, at 12:00 pm EST and we'll publish our favorites before Halloween!

In this edition of Section D, Monocle 24's weekly review of design, architecture and craft, the show explores how wood is being used creatively at every scale by designers and architects today. From the "timber terrazzo" of London-based designer Conor Taylor, to the four protected (yet threatened) wooden escalators at Sydney's Wynyard Railway Station, the episode questions how innovative designers are, or need to be, with this age-old tried and tested material. Finally, the show visits Folkhem in Sweden – a construction company who believe wood "to be superior to conventional alternatives in almost every respect, from construction time to acoustic properties."

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One of the ways that architecture must be integrated into its natural context is by maintaining the sensory experience of the place itself. This can be achieved by assigning value to a site's spatial qualities, textures, and even by generating contrasts, to enhance and differentiate existing elements from man-made ones.

This month we want to highlight Secondfloor Architects, who turn their focus towards the interior of their project and invite us to experience the natural environment as something that is above architecture. They do this not only by designing a building that is settled in the plot, but also by creating a central element which relates to the verticality of the existing trees, while the building's horizontal elements offer a powerfully contrasting material expression.

ArchDaily is looking for a motivated and highly-skilled architecture-lover to join our team of interns for Winter 2016/2017! An ArchDaily internship in Classics provides a unique opportunity to learn about our site and write about historically significant architecture projects.

Interested? Then check out the requirements below.

As the month-long 3rd Istanbul Design Biennial draws near, the Istanbul Foundation for Culture and Arts (İKSV) have revealed a full list of projects and participants. Curated by Beatriz Colomina and Mark Wigley, the biennial—which is titled Are We Human? The Design of the Species: 2 seconds, 2 days, 2 years, 200 years, 200,000 years—will revolve around one pressing provocation: that design itself needs to be redesigned.

Presenting more than 70 projects from five continents by designers, architects, artists, theorists, choreographers, filmmakers, historians, archaeologists, scientists, laboratories, institutes and NGOs, the exhibitions will be spatialized by Andrés Jaque and the Office for Political Innovation and spread across five main venues – the Galata Greek Primary School, Studio-X Istanbul and Depo in Karaköy, Alt Art Space in Bomonti, and the Istanbul Archaeological Museums in Sultanahmet. The work of a dense array of international writers, video makers, and designer researchers will also be presented online.