This edition of Section D, Monocle 24's weekly review of design, architecture and craft, explores London's new Design Museum – a significant expansion for the institution at an entirely new location in West London. The interior spaces of the former Commonwealth Institute Building in Kensington, which is Grade II-listed, have been renovated by John Pawson. Alongside the museum’s Deputy Director, Alice Black, the Monocle team investigate the thinking behind the relaunch and how the spaces are designed to accommodate a shifting audience.

CEMEX has announced the international and national winners of the 25th anniversary edition of their CEMEX Building Awards at a ceremony in Mexico City. The CEMEX Building Award recognizes the best projects in Mexico and the rest of the world in five categories and with four special prizes. This year, the award received 480 entries in the Mexican Edition and 62 entries in the International Edition, including buildings constructed in 20 different countries.

The 2016 Awards honor the best architecture and construction projects built during 2015 that use concrete technologies in creative and innovative ways with a focus on sustainability and social well-being. Winners were selected based on the criteria of construction process, structural and architectural solutions, integral sustainability, and value creation for users and communities.

Two weeks ago, Herzog & de Meuron was announced as the winners of the international competition to design the new Museum of the 20th Century to be located adjacent to Mies van der Rohe’s seminal Neue Galerie in the heart of the Berlin Cultural Forum in Berlin, Germany.

We’ve now received additional proposals for the competition, including honorable mention-awarded entries from OMA, Staab Architekten, and Aires Mateus e Associados, and a finalist proposal from REX, that show alternative strategies for the site.

Aedas has unveiled plans for Gemdale Changshou Road, a new mixed-use project located within Shanghai’s urban city ring that will add 45,000 square meters (484,000 square feet) of terraced office and retail space within close proximity of a planned residential development.

Designed by Andrew Bromberg at Aedas, the design is nicknamed “Cloud on Terrace,” as it uses a series of green terraces as a visual and occupiable “bridge between the low-rise, residential developments to the south and Changshou Road to the north.”

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Bjarke Ingels Group (BIG) and Hyperloop One have unveiled joint designs for an autonomous transportation system and the world’s first Hyperloop pods and portals in the United Arab Emirates (UAE). The designs are being presented as Hyperloop One signs a deal with the Dubai Roads and Transport Authority (RTA), bringing the project one step closer to reality.

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Architectural photographer Marc Goodwin has recently shot the second collection of his "ultra-marathon of photoshoots" – in London. Following his unique insight into the spaces occupied by Nordic architectural offices (based in Oslo, Stockholm, Copenhagen and Helsinki), Goodwin has turned his lens to a broad collection of practices in the British capital, captured in just seven days. From Zaha Hadid Architects' former school to Foster + Partner's monumental studios on the banks of the River Thames, here are a series of surprising places that architectural offices call home.

The Danish Pavilion at the 2016 Venice Biennale, curated by Boris Brorman Jensen and Kristoffer Lindhardt Weiss, is dense with models – "a wunderkammer of architectural prototypes." The exhibition, which attempts to present new insights into how contemporary Danish architecture has been influenced by critics of Modernism (the "Modern approach"), features Jan Gehl—a famed Danish architect and urbanist renowned for his focus on improving the quality of urban life—as its standard bearer. In this exclusive film, shared by the curators, Gehl puts forward his position.

For this edition of Section D, Monocle 24's weekly review of design, architecture and craft, the team turn their attention to the crossroads where design and architecture meet film. From a documentary about Pruitt-Igoe, the St. Louis housing project, to a new reading of the title sequence of Superman, this episode investigates the role of architecture in film – and visa versa.

What do ghosts say when they see a great design? “Ghoul!” (Sorry, not sorry). 10 exceptional ArchDailyers showed their salt by designing these Halloween-themed gourds. Since all of you are our kin, we wanted to give you something that would pump you up for Halloween.  -__- 

See the fab-boo-lous winners below! The gif shown above is the masterful work of Andres Antolin!

Following an earthquake measuring 6.6 on the Richter Scale that struck central Italy this morning at 7:40 a.m. local time—the fourth to hit this part of the country in three months—a number of structures have collapsed entirely or been severely damaged. While no deaths have been reported at this time, the BBC suggests that twenty people have been injured.

This latest tragedy follows an earthquake measuring 6.2 on the Richter Scale which hit a nearby region in August of this year, killing 300 and causing widespread devastation to towns and villages. It is being suggested that the evacuation of buildings that were deemed vulnerable to the ongoing seismic activity in the region last week may have saved lives.

Apple has unveiled a new version of their professional-level portable computer, the MacBook Pro, making steps towards defining the laptop as a tool for those in the creative industries. With a full 500 days since these devices were last refreshed by the company, the standout feature of this latest incarnation is a new, application-specific Touch Bar – a touch-sensitive display band at the top of the keyboard which becomes an “intuitive” part of the user interface, which also includes a Touch ID fingerprint sensor. Oh – and there’s still a headphone jack!

Three winning firms have been selected in the competition for the Museum of the 20th Century to be located in the heart of the Berlin Cultural Forum in Berlin, Germany. The 200 million euro building and site plan will serve as the new home of multiple internationally significant art collections, including the National Gallery’s Marx and Pietzsch collections, sections of the Marzona collection, and a collection of works from the Kupferstichkabinett (Museum of Prints and Drawings).

In 2015, the competition was launched, aimed at finding a design scheme that would encompass the site layout, architecture and landscaping around the museum.

Facing stiff competition from a list of 42 renowned finalists, Herzog & de Meuron together with Vogt Landscape Architects has emerged victorious for their brick, warehouse-inspired design. Runner up prizes were given to Lundgaard & Tranberg Architects with SCHØNHERR A / S, and Bruno Fioretti Marquez with Capatti Staubach Landscape Architects, while four jury recognitions were awarded to proposals from OMA, SANAA, Staab Architekten, and Aires Mateus e Associados.

One of the key challenges faced by the European currency union, the Euro, was that of their design. In 2002, when the banknotes entered circulation across large parts of the European Union, the imagery that they possessed had to represent a continent of cultures. The answer: to create fictitious illustrations or, as the European Central Bank states, "stylised illustrations [of windows, doorways and bridges], not images of, or from, actual constructions." In a recent exhibition architect Anna Pang, in collaboration with Johan Holkers and Rolf Stålberg, have attemped to present the "fictive architecture" of the Euro as sugar sculpture.