In the latest edition of Section D, Monocle 24's weekly review of design, architecture and craft, the team speak to Moshe Safdie – the Israeli-Canadian architect whose "signature geometric style of lavish curves and green space has made the self-styled Modernist an influential voice" in the profession. The conversation, broadcast from Safdie's Marina Bay Sands complex in Singapore, reflects on his life and work – including Montréal's Habitat 67.
On Thursday 17th of November, at the World Architecture Festival in Berlin, Patrik Schumacher gave a lecture offering his theory on how to address London’s Housing crisis. Given Schumacher’s well-known penchant for neoliberal economics, it was perhaps little surprise that his plan included a number of highly controversial ideas, such as the elimination of all forms of social housing and planning, and the privatization of all public space—with Schumacher highlighting Hyde Park as a particularly interesting opportunity.
Though ArchDaily was in attendance at the lecture, we chose not to cover Schumacher’s speech, at least in part because the audible boos from the crowd indicated that this was not a position that the wider architectural profession was interested in giving publicity to. However, the news was picked up by a number of other architectural publications including Dezeen; as a result, Schumacher’s speech became front page news on the London Evening Standard, prompting a response from London Mayor Sadiq Khan who said Schumacher’s ideas were “out of touch” and “just plain wrong.” These developments in turn have prompted an outcry from the architectural profession, causing Zaha Hadid Architects to write an open letter in response to the furore. Read on to see the full letter.
Update [05 January 2017]: the Architects' Journal have published a leaked internal email from Patrik Schumacher which claims that "this letter was sent out by ZHA’s head of press, Roger Howie, without the authorisation of any of the company’s directors."
Filmmakers Ila Bêka and Louise Lemoine, creators of the Living Architectures seminal collection of films on architecture, will screen The Infinite Happiness—shot entirely in Copenhagen's "8 House" designed by BIG—exclusively on ArchDaily from Friday, December 2 until Sunday, December 4.
Marking the forthcoming release of two DVD box-sets of their entire œuvre (which was acquired by New York's Museum of Modern Art (MoMA) in 2016) Bêka and Lemoine have, over the course of the Living Architectures project, developed films about and in collaboration with the likes of the Barbican in London, the Fondazione Prada, La Biennale di Venezia, Frank Gehry, Bjarke Ingels, the City of Bordeaux, the Arc en Rêve centre d’architecture, and more. Their goal in this has always been to "democratize the highbrow language of architectural criticism. [...] Free speech on the topic of architecture," Bêka has said, "is not the exclusive property of experts." Their first film, Koolhaas Houselife (2008), has come to embody this unique approach.
Earlier this year, the Rem Koolhaas-led firm OMA launched a redesign of its website. If you haven't already popped over to see more than three decades worth of cutting-edge, provocative architecture projects, you'll have a good reason to now: downloadable excerpts from six of the office's highly acclaimed books and magazines.
In a comment to the Architects' Journal, Finnish architect Juhani Pallasmaa has expressed concern over the Guggenheim's plans to build a new museum in the city of Helsinki.
The project emphasises a consumerist and touristic view of art at the expense of the cultural and humane task of art. instead of strengthening local artistic traditions and practices, the project strengthens the already doubtful globalisation and commercialisation of art. The public funds could clearly be used in a more innovative and efficient manner to support Finnish artistic culture.
This week the 2016 Venice Architecture Biennale—Reporting From the Front—will close. Six months have passed and hundreds of thousands of architects, urbanists, designers and tourists have perused both the National Participations (of which more were represented this year than ever before) and the central exhibition curated by Alejandro Aravena – the first South American to direct the most prestigious event on the architectural calendar. ArchDaily has compiled our most extensive coverage of the event and, as the 15th incarnation of Biennale shuts its gates for the last time, our collection of articles, interviews and publication excerpts remains permanently accessible.
OMA, led by partner Ippolito Pestellini Laparelli, have been chosen as the "Creative Mediators" for the 12th edition of Manifesta, which will be held in Palermo in 2018. The practice will assemble an interdisciplinary team to investigate the role of governance in the Italian city, and address how contemporary urban centers are affected by tourism, gentrification, migration and climate change. They will also work "with specialists from the fields of contemporary art, sociology, music, cinema and architecture" to develop a series of "interactive, interdisciplinary, performative and artistic interventions."
What's the difference between a "road", a "drive" and a "way"? Or between a "street", a "boulevard" and an "avenue"? The naming conventions that we attribute to the networks that we use to move about are, in fact, a little more complex than you might imagine. In this film by Phil Edwards for Vox, the intricate world of road classification and definition is given a (long overdue) explanation – and one which might help you think a little deeper about urban mobility.
The Royal Institute of British Architects (RIBA) have revealed the Universidad de Ingeniería y Tecnología (UTEC), located in Lima and designed by Dublin-based practice Grafton Architects, as the winner of the inaugural RIBA International Prize. A longlist of thirty projects, published in May of this year, was narrowed down to six in October before a grand jury—chaired by Richard Rogers—selected the scheme as "an exceptional example of civil architecture."
Many have walked by and wondered what purpose this vast, windowless skyscraper in the heart of Manhattan serves. 33 Thomas Street, also known as the "Long Lines Building" (LLB), is an impenetrable monolithic fortress amid canyons of glass and steel. Ostensibly an AT&T telecoms building, the New York Times have recently reported (based on investigative work by The Intercept) that this "blank face[d] monument to privacy" may in fact be a NSA (National Security Agency) listening post, hidden in plain sight.
Starting an architecture firm may sprout from one’s love for and interest in the discipline, but running a competitive business requires more than just a tendency to enjoy the work. BIM could be the edge a firm needs in order to stand out from the crowd. There are many ways a firm can make use of BIM to become more profitable on their projects and successful in winning those projects in the first place; read on to find out more about six of them.
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In another photoset from his latest Switzerland trip, photographer Laurian Ghinitoiu takes us inside Christ & Gantenbein’s recently-opened addition to the Kunstmuseum Basel. The design, winner in an international competition in 2009, sought to create a “contemporary brother” to the original museum, opening up to the street through its angled form. The monochromatic brick facade also responds to its context and historic neighbor, while hiding a wraparound LED screen beneath to create a frieze with a technological twist.
Check out the full series of shots, after the break.
The Villa Beer (1929-1930) is considered to be one of Josef Frank's—the great Austro-Swedish architect—most important built projects. As reported by DisegnoDaily, the architectural integrity of the house—which was originally commissioned by the industrialist Julius Beer and built in the Viennese suburb of Hietzing—is now under threat despite being proposed for protection by the Austrian government as a historic site in 2007.
Robert Konieczny + KWK Promes' National Museum in Szczecin - Dialogue Centre Przełomy has been named the World Building of the Year 2016 as the World Architecture Festival (WAF) in Berlin comes to a close. The project consists of an atmospheric underground museum below an expansive, undulating public plaza, adjacent to Barozzi Veiga's Mies van der Rohe Award-winning Philharmonic Hall Szczecin.
The National Museum in Szczecin - Dialogue Centre Przelomy is now the ninth project to hold the World Building of the Year title. Last year, the award was given to "The Interlace" by OMA and Buro Ole Scheeren.
Winners of the year's Future Project, Landscape, and Small Project awards were also announced. Read on to see the winning projects with comments from the jury.
Hangzhou AN Interior Design's design for the retail brand Heike has been named the world's best interior of 2016. Announced at the INSIDE World Festival of Interiors in Berlin, which took place alongside the World Architecture Festival, the winner of the prize was selected from among 9 category winners, which in turn were picked out of a shortlist totaling 62 projects. The Black Cant System was also the winner of the retail category.
Described by the designers as a "glum interior" with a "futuristic melancholy atmosphere" for the retail brand, the centerpiece of the design is a large, dark wedge housing many of the store's functional components such as fitting rooms and staircases.
Read on for more images of, and for the full list of category winners.
This month London's Design Museum will officially open its new home on Kensington High Street. The project, which has been redeveloped and designed in collaboration with Rotterdam-based practice OMA and London-based studio Allies & Morrison, has seen a Grade II* Listed Modernist monument sensitively restored into contemporary galleries. For John Pawson—who has been commissioned to create "a series of calm, atmospheric spaces" ordered around a large, oak-lined atrium—this scheme marks his first major public work.
Archifutures Vol. 1: The Museum presents the last chapter of the first Future Architecture cycle and is the first part of a new three-volume field guide to the future of architecture. The collection maps contemporary architectural practice and urban planning, presented through the words and ideas of some of its key players and change-makers. From institutions, activists, thinkers, curators and architects to urban bloggers, polemicists, critics and publishers, these are the people shaping tomorrow’s architecture and cities – and thereby helping to shape our societies of the future as well.
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